The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-givingEllwanger, George H. (George Herman)
History
The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving
Ellwanger, George H. (George Herman)
Gastronomy
"Like Albion's rich plum-pudding, famous grown,
The mince-pye reigns in realms beyond his own,
Through foreign latitudes his power extends,
And only terminates where eating ends.
. . . . . . . . .
"Sovereign of Cates, all hail! nor then refuse
This cordial off'ring from an English muse,
Who pours the brandy in libation free,
And finds plum-pudding realiz'd in thee."
But of all forms of pie, that with the apple for its basis is doubtless
the most wholesome and by the majority is most relished. A woman who is
infallible in her apple-pies and successful with her sauces deserves
an annual trip abroad. But such, like first editions of "The Faerie
Queene," are rare. No better instructions regarding the fashioning of
apple-pies can be formulated than those of the late Henry Ward Beecher,
who so thoroughly understood women, gems, sweetmeats, and gardening.
His counsels are worthy of Elia, and the housewife should commit them
to memory:
"There is, for example, one made without undercrust, in a deep
plate, and the apples laid in full quarters; or the apples,
being stewed, are beaten to a mush and seasoned and put
between the double paste; or they are sliced thin and cooked
entirely within the covers; or they are put without seasoning
into their bed, and when baked the upper lid is raised and
the butter, nutmeg, cinnamon, and sugar are added, the whole
well mixed and the crust returned as if nothing had happened.
But, oh! be careful of the paste! Let it be not like putty,
nor rush to the other extreme and make it so flaky that one
holds his breath while eating, for fear of blowing it away.
Let it not be plain as bread, nor yet rich like cake. Aim
at that glorious medium in which it is tender without being
too fugaciously flaky; short without being too short; a mild,
sapid, brittle thing, that lies upon the tongue, so as to
let the apple strike through and touch the papillæ with a
more affluent flavour. But this, like all high art, must be a
thing of inspiration or instinct. A true cook will understand
us, and we care not if others do not! Do not suppose that
we limit the apple-pie to the kinds and methods enumerated.
Its capacity in variation is endless, and every diversity
discovers some new charm or flavour. It will accept almost
every flavour of every spice. And yet nothing is so fatal to
the rare and higher graces of apple-pie as inconsiderate,
vulgar spicing. It is not meant to be a mere vehicle for the
exhibition of these spices in their own natures; it is a
glorious unity in which sugar gives up its nature as sugar,
and butter ceases to be butter, and each flavoursome spice
gladly vanishes from its own full nature, that all of them,
by a common death, may rise into the new life of apple-pie.
Not that apple is longer apple. It, too, is transformed; and
Public-domain text, read in full here on John Shaqi.
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