The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-givingEllwanger, George H. (George Herman)
History
The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving
Ellwanger, George H. (George Herman)
Gastronomy
The fact that he was afflicted with a deformity of his hands, and
that his numerous volumes and contributions to the press were written
with an artificial member, renders his literary labours the more
surprising. A fluent writer, whose humour and verve sparkle from every
page of his subject proper, it is to be regretted that he is so little
known by the present generation, for the eight rare little volumes
which comprise the "Almanach des Gourmands" may be classed among the
most sprightly and learned dissertations relating to the pleasures
of the table. Numerous almanacs have succeeded his. But these are
like harmonicas compared with a Stradivarius, or the "Confessions of
Rousseau" contrasted with the "Life of Cellini." A veritable storehouse
of epicurean lore, his unique treatise should be republished, with
its eulogiums left out, and its finer fancies and wealth of culinary
teachings retained to instruct and charm anew. In a revision of the
work, these allusions to the _fournisseurs_ could be omitted to
advantage, and thus a most useful treatise be presented in a much more
concise form.
It should be stated, in justice to the author, that his references
to alimentary dealers and wine-merchants were not all of a laudatory
character. His pills were not wholly sugar-coated; any delinquent who
merited censure was summarily dealt with. The "Almanach" wielded a
powerful influence, and could make or mar. From the very first year of
its appearance it asserted its sway, a supremacy that no one ventured
to contest. Its decrees were inexorable, and woe to the restaurateur
who failed in a matelote, the dealer who was lacking in courtesy, the
merchant who was guilty of over-charging, or the purveyor whose wares
were found wanting. The editor's caustic pen was as dreaded as it was
respected. A paragraph rendered a furnisher famous, a disparaging line
caused a shop to be avoided. Its edicts were a _Vehmgericht_ from which
there was no appeal. Thus it maintained a surveillance and an influence
that were not without their excellent results--a censorship that would
be invaluable in the present days of adulterations.
Written in a more serious vein is the "Manuel des Amphitryons," a large
octavo dealing with the art of carving, bills of fare for each season,
and table proprieties.[20]
Public-domain text, read in full here on John Shaqi.
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