The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-givingEllwanger, George H. (George Herman)
History
The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving
Ellwanger, George H. (George Herman)
Gastronomy
The frontispiece of the fourth year, entitled "Meditations of a
Gourmand," represents La Reynière in person seated at a writing-table
in his robe de chambre. He has evidently just suspended his labours
to reconsider the materials which are to form the subjects of his
homilies. The different objects of his contemplation are ranged
around him on various stands: a stuffed calf's head, a roasted capon,
a matelote of La Râpée, a Strassburg pâté de foie gras, a plate of
biscuits of Abbeville, etc., his attention being engrossed for the
moment by the calf's head. Various treatises on the alimentary art are
scattered about him, such as "La Pâtisserie de Santé," "Les Dons de
Comus," and "Le Confiseur Moderne." Upon the edicts he is to pronounce
hangs the fate of many a purveyor. Is his appetite keyed to the
requirements of his task? Will the samples to be tested respond to the
exactions of his critical palate? Or must his fealty be paid for by
an indigestion that may postpone his labours in behalf of the noblest
of the arts?
[Illustration: LES MÉDITATIONS D'UN GOURMAND
Frontispiece of the fourth year of the "Almanach des Gourmands"]
His mien is solemn and his attitude one of intense absorption, like
that of a great statesman pondering some weighty coup d'état. At the
end of the cabinet stands a tall buffet with numerous shelves laden
with savoury viands and appetising beverages: a boar's head of Troyes,
a timbale of red partridges _aux truffes_, eels of Melun, a cake of
Savoy, a _mortadelle_ of Lyons, a truffled turkey of Périgord, an
Italian cheese and sausages, a ham of Bayonne, a pâté of Périgueux,
various dainties of Provence, pastries and apple-jelly of Rouen, with
numerous varieties of wines and liqueurs. All of these articles,
gravely observes the editor in his explanation of the plate, are to be
successively passed in review by the gourmand, inasmuch as they are the
subjects of his literary work--no other objects of art decorate the
cabinet, as nothing should be allowed to distract the critic.
It would appear at first sight to the uninitiated that such a task
must prove beyond the capacities of the ordinary mortal. But this
contingency he has already explained at length in a chapter on
"Indigestion." "It is often much less to excess of eating than to
the quality of aliments that indigestion is due. One person may have
eaten ten times more than another without inconvenience, and another
find himself seriously disturbed from having partaken of a single dish
that did not agree. It is the place of the epicure to study the nature
of his stomach, in order to supply it with only such aliments as are
homogeneous. Milk foods, hot pastries, etc., which usually agree with
women, do not always agree with robust stomachs which may be able to
digest an ox, but quail before a little pot of cream. But where through
repeated experiences one has obtained a perfect knowledge of his
temperament he may trust to his appetite without fear."
Public-domain text, read in full here on John Shaqi.
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