He put a ragged sleeve across his eyes to shut out the sight. It
brought a picture he longed to forget--the terrible picture of his
downfall:
It was a spring day, and the Uncapapas, to make ready for battle, were
dancing the great sun-dance. He was the chief Moon Dog then, haughty as
any, brave as the next, given to warfare and the shedding of blood. In
the great tent, it was he who led.
He was naked, save for a loin-cloth. Coup-sticks were braided in his
hair. Eagle feathers trailed from his scalp-lock. The skin of his body
was hidden beneath devices.
He signified a wish to suffer wounding, to have willow wands run through
the flesh of his back. Standing Buffalo was dancing beside him. And it
was that warrior's knife which leaped from its beaded sheath to do the
cutting.
And then the wounds weakened the chief Moon Dog. The wands tore his
flesh past all power to endure. And he knew nothing. But when the squaws
brought him to life again, they told him that, like a squaw, he had
pleaded for mercy--and wept!
For this he was branded, spat upon, cast out, and cursed. For this he
had gone hungry, scoured kettles, and herded with the dogs.
David Bond had come, telling him of One Who was bruised, reviled, and
nailed to a tree. That One was the God of the white man. Broken in
spirit, The Squaw had accepted Him.
Yet--what had the new God done for him? Was his work lighter? No! Was
the food not the cast-off's still, fouled by the touch and the tongues
of others and by the dirt of the pen? Yes. If the new God was good, _why
had He not saved the evangelist_?
The soul of Squaw Charley tottered.
Hark!
Overhead, a high-sailing crane bugled. But to the outcast, the lonely
night-cry seemed supernatural, a hail from one of the departed!
He uncovered his eyes and looked up. Above him stretched the pale,
shining ribbon of the Milky Way.
Again the crane sounded its rousing, guttural cry. He shook himself, as
if to free his body from a chain.
Once more he took out flint and steel and lit the bit of grapevine.
Then, he sank to the prairie, where he crossed his legs like a brave.
Now, with deep breath, he drew upon the stem. His nostrils filled, he
tipped back his head; and from them, upward to the path, sent wreath
upon wreath of adoring smoke.
CHAPTER XXVII
SIMON PLAYS A PART
One morning in early July, Matthews came swaggering into the post
barber-shop, his air that of a man who is mightily pleased with himself.
"Bill," said he, as he flung off blouse and hat, "wish you'd mow down
this stubble of mine."
The barber set about stropping a razor. "Don't want your mane trimmed?"
he inquired. "Strikes me--eh--it's pretty long."
The interpreter loosened the collar of his shirt and took a chair.
"Never you mind about my mane," he answered. "It's just as long's I want
it. You turn loose on my chin." He leaned back to elevate a pair of
bright-topped boots.
Public-domain text, read in full here on John Shaqi.
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