The Pocket Lavater; or, The Science of Physiognomy: To which is added an inquiry into the analogy existing between brute and human physiognomy — John Shaqi
The Pocket Lavater; or, The Science of Physiognomy: To which is added an inquiry into the analogy existing between brute and human physiognomyPorta, Giambattista della
Philosophy
The Pocket Lavater; or, The Science of Physiognomy: To which is added an inquiry into the analogy existing between brute and human physiognomy
Porta, Giambattista della
Physiognomy
In this countenance we may recognise a rogue; the size and shape of the
forehead are declaratory, however, of a reflecting, and even of a
profound mind. The salient angle of the nose, the projection and
sharpness of the chin, indicate an astute, enterprising, and crafty
character. On the whole, these features, collectively, make up a
countenance which we cannot regard without repugnance, and in which it
is impossible to confide.
[Illustration: 29]
No. XXIX.
In this physiognomy we distinguish taste, acuteness and sensibility.
Should a man of this description become an author, his style will be
florid, and he will describe the beauties of nature and the pleasures of
friendship; but he will avoid the discussion of scientific subjects, and
sometimes turn away from philosophical argument as dry and insipid.
The shape of his lips would seem to indicate a genius for poetry, and
the projection of the bone of the eye shows great aptness for mental
exertion. The chin denotes a character possessed of firmness and energy;
in fine, we may conclude that a man who bears a physiognomy like this is
highly gifted; it distinctly presents the impress of genius.
[Illustration: 30]
No. XXX.
A downcast look, longitudinal wrinkles on the cheeks, compressed lips,
and dull eyes, are all symptomatic of a melancholy man; his mouth is
often drawn in, his complexion bilious, and his skin dry. It is
observable that persons of this character have almost always defective
teeth; their eyes are seldom blue, but very frequently dark; their hair
is generally long and sleek, and the mouth is usually kept shut, to
which the badness of their teeth may be attributed.
[Illustration: 31]
No. XXXI.
In this head we may recognise the face of a gay and sprightly man;
repartee and epigram are his arms, and he is capable of wielding them
with spirit and effect. The mouth, with a little hollow in the middle of
the under lip, is almost always an indication of such a character, which
is also discoverable by the interval between the two eyes.
We must not confound a person of this description with the man that
scoffs and jeers; the cheeks of the latter assume a convex form, and
approach near to the eyes.
[Illustration: 32]
No. XXXII.
Here are collected the features of a character of extraordinary
melancholy, in which a discontented and sluggish disposition is
perceptible. The blue eyes and small eyebrows, and the thickness of the
lips, mark the intermixture of a phlegmatic tint; the elongation of the
nose, as well as the forehead, declare no want of judgment, and it is
that which particularly characterizes this physiognomy, and gives it its
pensive air. The features of this face, taken in connexion, exhibit a
tranquil mind, fond of regularity, and especially of quiet, and to which
the functions of an ecclesiastic would be most appropriate.
COMPARISON
OF
MAN WITH OTHER ANIMALS.
COMPARISON, &c.
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