The Poems and Prose of Ernest Dowson, With a Memoir by Arthur SymonsDowson, Ernest Christopher
General
The Poems and Prose of Ernest Dowson, With a Memoir by Arthur Symons
Dowson, Ernest Christopher
Authors, English; English poetry
dress, a marvel of discretion, its colour the yellow of old ivory, was
of some very rich and stiff stuff cut square to her neck; that, and
her great black hair, clustered to a crimson rose at the top of her
head, made the pallor of her face a thing to marvel at. Her beauty was
at once sombre and illuminating, and youthful no less. The woman of
thirty: but her complexion, and her arms, which were bare, were soft
in texture as a young girl's.
I made my way as well as I could for the crowd, to my hostess,
listened, with what patience I might, to some polite praise of my
playing, and made my request.
'Mrs. Destrier, I have an immense favour to ask; introduce me to
Madame Romanoff!'
She gave me a quick, shrewd smile; then I remembered stories of her
intimate quaintness.
'My dear young man! I have no objection. Only I warn you, she is not
conversational; you will make no good of it, and you will be
disappointed; perhaps that will be best. Please remember, I am
responsible for nobody.'
'Is she so dangerous?' I asked. 'But never mind; I believe that I have
something to say which may interest her.'
'Oh, for that!' she smiled elliptically; 'yes, she is most dangerous.
But I will introduce you; you shall tell me how you succeed.'
I bowed and smiled; she laid a light hand on my arm; and I piloted her
to the desired corner. It seemed that the chance was with me. The
little fluent Provençal had just vacated his seat; and when the
prima-donna had acknowledged the hasty mention of my name, with a bare
inclination of her head, I was emboldened to succeed to it. And then I
was silent. In the perfection of that dolorous face, I could not but
be reminded of the tradition which has always ascribed something fatal
and inevitable to the possession of great gifts: of genius or uncommon
fortune, or singular personal beauty; and the common-place of
conversation failed me.
After a while she looked askance at me, with a sudden flash of
resentment.
'You speak no French, Monsieur! And yet you write it well enough; I
have read your stories.'
I acknowledged Madame's irony, permitted myself to hope that my
efforts had met with Madame's approval.
'_A la bonne heure!_ I perceive you also speak it. Is that why you
wished to be presented, to hear my criticisms?'
'Let me answer that question when you have answered mine.'
She glanced curiously over her feathered fan, then with the slightest
upward inclination of her statuesque shoulders--'I admire your books;
but are your women quite just? I prefer your playing.'
'That is better, Madame! It was to talk of that I came.'
'Your playing?'
'My violin.'
'You want me to look at it? It is a Cremona?'
'It is not a Cremona; but if you like, I will give it you.'
Her dark eyes shone out in amazed amusement.
Public-domain text, read in full here on John Shaqi.
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