The Poems and Prose of Ernest Dowson, With a Memoir by Arthur Symons — John Shaqi
The Poems and Prose of Ernest Dowson, With a Memoir by Arthur SymonsDowson, Ernest Christopher
General
The Poems and Prose of Ernest Dowson, With a Memoir by Arthur Symons
Dowson, Ernest Christopher
Authors, English; English poetry
For, there is not a dream which may not come true, if we have the
energy which makes, or chooses, our own fate. We can always, in this
world, get what we want, if we will it intensely and persistently
enough. Whether we shall get it sooner or later is the concern of
fate; but we shall get it. It may come when we have no longer any use
for it, when we have gone on willing it out of habit, or so as not to
confess that we have failed. But it will come. So few people succeed
greatly because so few people can conceive a great end, and work
towards that end without deviating and without tiring. But we all know
that the man who works for money day and night gets rich; and the man
who works day and night for no matter what kind of material power,
gets the power. It is the same with the deeper, more spiritual, as it
seems vaguer issues, which make for happiness and every intangible
success. It is only the dreams of those light sleepers who dream
faintly that do not come true.
We get out of life, all of us, what we bring to it; that, and that
only, is what it can teach us. There are men whom Dowson's experiences
would have made great men, or great writers; for him they did very
little. Love and regret, with here and there the suggestion of an
uncomforting pleasure snatched by the way, are all that he has to sing
of; and he could have sung of them at much less "expense of spirit,"
and, one fancies, without the "waste of shame" at all. Think what
Villon got directly out of his own life, what Verlaine, what Musset,
what Byron, got directly out of their own lives! It requires a strong
man to "sin strongly" and profit by it. To Dowson the tragedy of his
own life could only have resulted in an elegy. "I have flung roses,
roses, riotously with the throng," he confesses in his most beautiful
poem; but it was as one who flings roses in a dream, as he passes with
shut eyes through an unsubstantial throng. The depths into which he
plunged were always waters of oblivion, and he returned forgetting
them. He is always a very ghostly lover, wandering in a land of
perpetual twilight, as he holds a whispered _colloque sentimental_
with the ghost of an old love:
"Dans le vieux parc solitaire et glacé, Deux spectres ont évoqué le
passé."
Public-domain text, read in full here on John Shaqi.
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