The poems of Heine; Complete: Translated into the original metres; with a sketch of his lifeHeine, Heinrich
General
The poems of Heine; Complete: Translated into the original metres; with a sketch of his life
Heine, Heinrich
German poetry -- Translations into English; Heine, Heinrich, 1797-1856 -- Translations into English
But look yonder! but look yonder!
Where from out the market chapel,
Midst the heaving crowd and uproar,
Streams the throng in chequer’d masses.
Glittering knights and stately ladies
In gay courtly dresses sparkle,
And the clear-toned bells are ringing,
And the organ peals between times.
But with reverence saluted,
In the people’s midst are walking,
Nobly clad, the youthful couple,
Donna Clara, Don Fernando.
To the bridegroom’s palace entrance
Slowly moves the gay procession;
There begin the ceremonies,
Stately, and in olden fashion.
Knightly games and merry feasting
Interchange with loud rejoicing;
Swiftly fly the hours thus gladly
Till the shades of night have fallen.
And the wedding-guests assemble
In the hall, to hold the dances,
And their chequer’d gala dresses
Midst the glittering lights are sparkling.
On a high-exalted dais
Bride and bridegroom are reclining,
Donna Clara, Don Fernando,
Holding loving conversation.
In the hall are gaily moving
All the festal crowd of people,
And the kettle-drums sound loudly,
And the trumpets, too, are crashing.
“Wherefore, O my heart’s fair mistress.
Are thy glances so directed
Tow’rd the hall’s most distant corner?”
Thus the knight exclaim’d with wonder.
“Seest thou not, then, Don Fernando,
Yonder man in dark cloak hidden?”
And the knight with smiling answered:
“Ah, ’tis nothing but a shadow.”
But the shadow soon approach’d them,
And a man was in the mantle,
And Ramiro recognising,
Clara greeted him with blushes.
And the dancing has begun now,
And the dancers whirl round gaily
In the waltz’s giddy mazes,
And the ground beneath them trembles.
“Gladly will I, Don Ramiro,
In the dance become thy partner,
But thou didst not well to come here
In a black and nightlike mantle.”
But with eyes all fix’d and piercing
Looks Ramiro on the fair one;
Clasping her, with gloom thus speaks he:
“At thy bidding have I come here!”
And the pair of dancers vanish
In the dance’s giddy mazes,
And the kettle-drums sound loudly,
And the trumpets, too, are crashing.
“Snow-white are thy cheeks, Ramiro,”
Clara speaks with secret trembling.
“At thy bidding have I come here!”
In a hollow voice replies he.
In the hall the wax-lights glimmer
Through the ebbing, flowing masses,
And the kettle-drums sound loudly,
And the trumpets, too, are crashing.
“Ice-cold are thy hands, Ramiro,”
Clara speaks with shudd’ring terror.
“At thy bidding have I come here!”
And within the whirl they vanish.
“Leave me, leave me, Don Ramiro!
Ah, thy breath is like a corpse’s!”
Once again the dark words speaks he
“At thy bidding have I come here!”
Public-domain text, read in full here on John Shaqi.
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