The Poems of John Donne, Volume 1 (of 2): Edited from the Old Editions and Numerous ManuscriptsDonne, John
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The Poems of John Donne, Volume 1 (of 2): Edited from the Old Editions and Numerous Manuscripts
Donne, John
English poetry -- Early modern, 1500-1700
The second purpose of the notes is to set forth the evidence of the
manuscripts. I have not attempted to give anything like a full account
of the variant readings of these, but have recorded so much as is
sufficient for four different purposes.
(1) To vindicate the text of 1633. I have not thought it necessary
to detail the evidence in cases where no one has disputed the 1633
reading. If the note simply records the readings of the editions it
may be assumed that the manuscript evidence, so far as it is explicit
(the manuscripts frequently abound in absurd errors), is on the side
of 1633. In other cases, when there is something to be said for the
text of the later editions, and especially when modern editors have
preferred the later reading (though I have not always called attention
to this) I have set forth the evidence in some detail. At times I
have mentioned each manuscript, at others simply _all the MSS._,
occasionally just _MSS._ This last means generally that all the
positive evidence before me was in favour of the reading, but that my
collations were silent as to some of the manuscripts. My collators,
whether myself or those who worked for me, used Mr. Chambers' edition
because of its numbered lines. Now if Mr. Chambers had already adopted
a 1635 or later reading the tendency of the collator--especially
at first, before the importance of certain readings had become
obvious--was to pass over the agreement of the manuscript with this
later reading in silence. In all important cases I have verified
the reading by repeated reference to the manuscripts, but in some of
smaller importance I have been content to record the general trend of
the evidence. I have tried to cite no manuscript unless I had positive
evidence as to its reading.
Public-domain text, read in full here on John Shaqi.
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