In 1654 the poems were published once more, but printed from the same types as in 1650. The text of the poems (pp. 1-368) is identical in _1649_, _1650_, _1654_; of the additional matter (pp. 369-392) in _1650_, _1654_. The only change made in the last is on the title-page, where a new publisher's name appears,[11] as in the following facsimile: POEMS, _By_ J. D. WITH ELEGIES ON THE AUTHORS DEATH. TO WHICH _Is added divers Copies under his own hand never before in Print._ _LONDON_, Printed by _J. Flesher_, and are to be sold by _John Sweeting_ at the Angel in Popeshead-Alley. 1654. James Flesher was the son of Miles Flesher, or Fletcher, who is probably the M. F. of the earlier editions. John Sweeting was an active bookseller and publisher, first at the Crown in Cornhill, and subsequently at the Angel as above (1639-1661). He was the publisher of many plays and poems, and in 1657 the publication of Donne's _Letters to Severall Persons of Honour_ was transferred to him from Richard Marriot, who issued them in 1651. POEMS, &c. BY JOHN DONNE, _late Dean of St._ Pauls. WITH ELEGIES ON THE AUTHORS DEATH. To which is added _Divers Copies under his own hand_, +Never before Printed.+ _In the SAVOY_, Printed by _T. N._ for _Henry Herringman_, at the sign of the _Anchor_, in the lower-walk of the _New-Exchange._ 1669. The last edition of Donne's poems which bears evidence of recourse to manuscript sources, and which enlarged the canon of the poems, was that of 1669. The younger Donne died in 1662, and this edition was purely a printer's venture. Its title-page runs as opposite. This edition added two elegies which a sense of propriety had hitherto excluded from Donne's printed works, though they are in almost all the manuscript collections, and a satire which most of the manuscripts assign not to Donne but to Sir John Roe. The introductory material remains as in _1650-54_ and unpaged; but the _Elegies to the Author_ are now paged, and the poems with the prose letters inserted in _1633_ and added to in _1635_ (see above, p. lxiii, note 8), the _Elegies to the Author_, and the additional sheets inserted in _1650_, occupy pp. 1-414. The love _Elegies_ were numbered as in earlier editions, but the titles which some had borne were all dropped. _Elegie XIIII_ (XII in this edition) was enlarged. Two new Elegies were added, one (_Loves Progress_) as _Elegie XVIII_, the second (_Going to Bed_) unnumbered and simply headed _To his Mistress going to bed_. The text of the poems underwent considerable alteration, some of the changes showing a reversion to the text of _1633_, others a reference to manuscript sources, many editorial conjecture.