The Poems of Philip Freneau, Poet of the American Revolution. Volume 1 (of 3)Freneau, Philip Morin
General
The Poems of Philip Freneau, Poet of the American Revolution. Volume 1 (of 3)
Freneau, Philip Morin
American poetry
"As we have never yet been obliged to omit or alter it for want of
scholars, there is a fixed Annual Commencement on the last Wednesday of
September, when, after a variety of public exercises, always attended by
a vast concourse of the politest company, from the different parts of
this province and the cities of New York and Philadelphia. * * *"
Of Freneau's proficiency as a student we have no record. Of the details
of the Commencement of September 25, 1771, when he received his degree,
we have but a brief account. Brackenridge opened the exercises with a
salutatory, and following came four other exercises which completed the
morning's programme.
The audience assembled again at three, and after singing by the students
there came:
"6. An English forensic dispute on this question, 'Does ancient poetry
excel the modern?' Mr. Freneau, the respondent, his arguments in favor
of the ancients were read. Mr. Williamson answered him and Mr. McKnight
replied."
"7. A poem on 'The Rising Glory of America,' by Mr. Brackenridge, was
received with great applause by the audience."
Madison on account of ill health did not appear.
The "Rising Glory" had been written conjointly by Brackenridge and
Freneau. Although the former was given on the Commencement programme
full credit for the exercise, it was surely Freneau who conceived the
work and who gave it its strength and high literary value. Brackenridge
in later years confessed to his son that "on his part it was a task of
labor, while the verse of his associate flowed spontaneously." The poem
was printed in Philadelphia the following year, and in 1786 Freneau
isolated his own portion for publication in the first edition of his
works.
This detaching of Freneau's portion from the complete work destroyed at
the outset the original unity of the piece. The changes and omissions
made necessary by the process of separating the part from the whole, the
deliberate readjustment of perspective to bring the poem up to the
historical conditions of the later date, and the careful editing which
strove to remove blemishes and weaknesses due to inexperience, combine
to make the 1786 version practically a new poem.
The first glimpse of Freneau after his graduation from Princeton is
furnished by a letter to Madison, dated Somerset County, in Maryland,
November 22, 1772:[3]
Public-domain text, read in full here on John Shaqi.
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