The Poems of Philip Freneau, Poet of the American Revolution. Volume 1 (of 3)Freneau, Philip Morin
General
The Poems of Philip Freneau, Poet of the American Revolution. Volume 1 (of 3)
Freneau, Philip Morin
American poetry
His temperament was Celtic. He inherited with his French blood a
passionate love for beauty, a sensuous, dreamy delight in the merely
poetic, in the weird and romantic. He had not the Teutonic stability; he
was easily exalted, easily depressed; he went often to extremes; he was
sensitive to a degree that made criticism a torture, and he was proud
beyond all reason. He had been deeply touched by the principles of the
Revolution; he had suffered personally at the hands of the enemy; he
had followed Paine in his democratic doctrines even to the extremes, and
he tried to live consistently with these exalted ideals. His honesty and
his ignorance of the world prevented him from seeing how greatly these
principles must be modified to become of really practical value.
His kindly heart made him a fierce foe to all kinds of tyranny and
oppression. He saw sights in the West Indies that made him a bitter
opponent of human slavery. Again and again in his poems and prose
sketches does he condemn the evil. His message is almost as intense as
Whittier's:
"O come the time and haste the day
When man shall man no longer crush,
When reason shall enforce her sway,
Nor these fair regions raise the blush
Where still the African complains
And mourns his yet unbroken chains."
Not only slavery, but every other form of oppression and wrong received
his condemnation. He wrote boldly against intemperance in a day when the
use of intoxicating liquors was well-nigh universal and wholly
uncriticised; he spoke eloquently on cruelty to animals; and he was one
of the earliest to demand equal rights for man and woman.
Freneau's religious inclinations have been sometimes harshly criticised
by those of puritanic creed. The school of Dr. Dwight could speak of him
only in contempt, yet it is true that the poet was a deeply religious
man. His love of freedom and his perfect sincerity affected his creed.
He had an intense dislike for hollow formalism. In his "Jamaica Funeral"
he has pictured a hypocritical priest in colors as vivid almost as
Chaucer's. He detested
"The holy man by Bishops holy made."
He loved sincerity, and the creed that came not from dry formalism, but
from reason and from an honest heart.
It has often been overlooked by his critics that Freneau was a widely
read and thoroughly cultured man; that he was a linguist of more than
ordinary powers; and that he knew intimately the chief writings in
Latin, Italian, French, and English. He was no ignorant, careless
scribbler, tossing into the ephemeral columns of the press hasty rhymes
of which he never thought again. He revised and corrected with patient
care, and he took a deep interest in the children of his pen, rescuing
at one time or another almost every one of them from the oblivion of the
newspaper.
VIII.
Public-domain text, read in full here on John Shaqi.
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