The Poet at the Breakfast-TableHolmes, Oliver Wendell
General
The Poet at the Breakfast-Table
Holmes, Oliver Wendell
American fiction -- 19th century; Conversation -- Fiction; Poetry
One-story intellects, two--story intellects, three story intellects with
skylights. All fact--collectors, who have no aim beyond their facts,
are one-story men. Two-story men compare, reason, generalize, using
the labors of the fact-collectors as well as their own. Three-story men
idealize, imagine, predict; their best illumination comes from above,
through the skylight. There are minds with large ground floors, that can
store an infinite amount of knowledge; some librarians, for instance,
who know enough of books to help other people, without being able to
make much other use of their knowledge, have intellects of this class.
Your great working lawyer has two spacious stories; his mind is clear,
because his mental floors are large, and he has room to arrange his
thoughts so that he can get at them,--facts below, principles above, and
all in ordered series; poets are often narrow below, incapable of clear
statement, and with small power of consecutive reasoning, but full of
light, if sometimes rather bare of furniture, in the attics.
--The old Master smiled. I think he suspects himself of a three-story
intellect, and I don't feel sure that he is n't right.
--Is it dark meat or white meat you will be helped to?--said the
Landlady, addressing the Master.
--Dark meat for me, always,--he answered. Then turning to me, he began
one of those monologues of his, such as that which put the Member of the
Haouse asleep the other day.
--It 's pretty much the same in men and women and in books and
everything, that it is in turkeys and chickens. Why, take your poets,
now, say Browning and Tennyson. Don't you think you can say which is
the dark-meat and which is the white-meat poet? And so of the people
you know; can't you pick out the full-flavored, coarse-fibred characters
from the delicate, fine-fibred ones? And in the same person, don't you
know the same two shades in different parts of the character that you
find in the wing and thigh of a partridge? I suppose you poets may
like white meat best, very probably; you had rather have a wing than a
drumstick, I dare say.
--Why, yes,--said I,--I suppose some of us do. Perhaps it is because a
bird flies with his white-fleshed limbs and walks with the dark-fleshed
ones. Besides, the wing-muscles are nearer the heart than the
leg-muscles.
I thought that sounded mighty pretty, and paused a moment to pat myself
on the back, as is my wont when I say something that I think of superior
quality. So I lost my innings; for the Master is apt to strike in at the
end of a bar, instead of waiting for a rest, if I may borrow a musical
phrase. No matter, just at this moment, what he said; but he talked the
Member of the Haouse asleep again.
Public-domain text, read in full here on John Shaqi.
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