The Poet at the Breakfast-TableHolmes, Oliver Wendell
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The Poet at the Breakfast-Table
Holmes, Oliver Wendell
American fiction -- 19th century; Conversation -- Fiction; Poetry
Many of the things I shall put down I have no doubt told before in a
fragmentary way, how many I cannot be quite sure, as I do not very often
read my own prose works. But when a man dies a great deal is said of him
which has often been said in other forms, and now this dear old house
is dead to me in one sense, and I want to gather up my recollections and
wind a string of narrative round them, tying them up like a nosegay
for the last tribute: the same blossoms in it I have often laid on its
threshold while it was still living for me.
We Americans are all cuckoos,--we make our homes in the nests of other
birds. I have read somewhere that the lineal descendants of the man
who carted off the body of William Rufus, with Walter Tyrrel's arrow
sticking in it, have driven a cart (not absolutely the same one,
I suppose) in the New Forest, from that day to this. I don't quite
understand Mr. Ruskin's saying (if he said it) that he couldn't get
along in a country where there were no castles, but I do think we lose
a great deal in living where there are so few permanent homes. You will
see how much I parted with which was not reckoned in the price paid for
the old homestead.
I shall say many things which an uncharitable reader might find fault
with as personal. I should not dare to call myself a poet if I did not;
for if there is anything that gives one a title to that name, it is that
his inner nature is naked and is not ashamed. But there are many such
things I shall put in words, not because they are personal, but because
they are human, and are born of just such experiences as those who hear
or read what I say are like to have had in greater or less measure.
I find myself so much like other people that I often wonder at the
coincidence. It was only the other day that I sent out a copy of verses
about my great-grandmother's picture, and I was surprised to find how
many other people had portraits of their great-grandmothers or other
progenitors, about which they felt as I did about mine, and for whom
I had spoken, thinking I was speaking for myself only. And so I am not
afraid to talk very freely with you, my precious reader or listener. You
too, Beloved, were born somewhere and remember your birthplace or your
early home; for you some house is haunted by recollections; to some roof
you have bid farewell. Your hand is upon mine, then, as I guide my pen.
Your heart frames the responses to the litany of my remembrance. For
myself it is a tribute of affection I am rendering, and I should put it
on record for my own satisfaction, were there none to read or to listen.
Public-domain text, read in full here on John Shaqi.
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