The Poetical Works of Alexander Pope, Volume 2 — John Shaqi
The Poetical Works of Alexander Pope, Volume 2Pope, Alexander
General
The Poetical Works of Alexander Pope, Volume 2
Pope, Alexander
English poetry -- 18th century
sphere, Pope was, as Scott calls him, a "Deacon of his craft;" he aimed
at, and secured, correctness and elegance; his part is not the highest,
but in it he approaches absolute perfection; and with all his monotony
of manner and versification, he is one of the most interesting of
writers, and many find a greater luxury in reading his pages than those
of any other poet. He is the _facile princeps_ of those poetical writers
who have written for, and are so singularly appreciated by, the
fastidious--that class who are more staggered by faults than delighted
with beauties.
Our glance at his individual works must be brief and cursory. His "Ode
to Solitude" is the most simple and natural thing he ever wrote, and in
it he seems to say to nature, "Vale, longum vale." His "Pastorals" have
an unnatural and luscious sweetness. He has sugared his milk; it is not,
as it ought to be, warm from the cow, and fresh as the clover. How
different his "Rural Life" from the rude, rough pictures of Theocritus,
and the delightfully true and genial pages of the "Gentle Shepherd!" His
"Windsor Forest" is an elegant accumulation of sweet sonnets and
pleasant images, but the freshness of the dew is not resting on every
bud and blade. No shadowy forms are seen retiring amidst the glades of
the forest; no Uriels seem descending on the sudden slips of afternoon
sunshine which pierce athwart the green or brown masses of foliage; and
you cannot say of his descriptions that
"Visions, as poetic eyes avow,
Hang on each leaf and cling to every bough."
Shelley studied the scenery of his fine poem, "Alastor," in the same
shades with Pope; but he had, like Jonathan of old, touched his lips
with a rod dipped in poetic honey, and his "eyes were enlightened" to
see sights of beauty and mystery which to the other are denied. Keats
could have comprised all the poetry of "Windsor Forest" into one sonnet
or line; indeed, has he not done so, where, describing his soul
following the note of the nightingale into the far depths of the woods,
where she is pouring out her heart in song, he says--
"And with thee fade away into the forest dim?"
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