The Poetical Works of Alexander Pope, Volume 2Pope, Alexander
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The Poetical Works of Alexander Pope, Volume 2
Pope, Alexander
English poetry -- 18th century
But from all that hath been said, the discerning reader will collect,
that it little availed our author to have any candour, since, when he
declared he did not write for others, it was not credited; as little to
have any modesty, since, when he declined writing in any way himself,
the presumption of others was imputed to him. If he singly enterprised
one great work, he was taxed of boldness and madness to a prodigy;[190]
if he took assistants in another, it was complained of, and represented
as a great injury to the public.[191] The loftiest heroics, the lowest
ballads, treatises against the State or Church, satires on lords and
ladies, raillery on wits and authors, squabbles with booksellers, or
even full and true accounts of monsters, poisons, and murders; of any
hereof was there nothing so good, nothing so bad, which hath not at one
or other season been to him ascribed. If it bore no author's name, then
lay he concealed; if it did, he fathered it upon that author to be yet
better concealed: if it resembled any of his styles, then was it
evident; if it did not, then disguised he it on set purpose. Yea, even
direct oppositions in religion, principles, and politics, have equally
been supposed in him inherent. Surely a most rare and singular
character! Of which, let the reader make what he can.
Doubtless most commentators would hence take occasion to turn all to
their author's advantage; and, from the testimony of his very enemies,
would affirm that his capacity was boundless, as well as his
imagination; that he was a perfect master of all styles, and all
arguments; and that there was in those times no other writer, in any
kind, of any degree of excellence, save he himself. But as this is not
our own sentiment, we shall determine on nothing, but leave thee, gentle
reader, to steer thy judgment equally between various opinions, and to
choose whether thou wilt incline to the testimonies of authors avowed,
or of authors concealed--of those who knew him, or of those who knew him
not.
P.
* * * * *
MARTINUS SCRIBLERUS OF THE POEM.
This poem, as it celebrateth the most grave and ancient of things,
Chaos, Night, and Dulness; so is it of the most grave and ancient kind.
Homer (saith Aristotle) was the first who gave the form, and (saith
Horace) who adapted the measure, to heroic poesy. But even before this,
may be rationally presumed from what the ancients have left written, was
a piece by Homer, composed of like nature and matter with this of our
poet. For of epic sort it appeareth to have been, yet of matter surely
not unpleasant, witness what is reported of it by the learned Archbishop
Eustathius, in Odyss. x., and accordingly Aristotle, in his Poetic,
chap, iv., does further set forth, that as the Iliad and Odyssey gave
example to tragedy, so did this poem to comedy its first idea.
Public-domain text, read in full here on John Shaqi.
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