The Poetical Works of Alexander Pope, Volume 2Pope, Alexander
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The Poetical Works of Alexander Pope, Volume 2
Pope, Alexander
English poetry -- 18th century
From these authors also it should seem that the hero or chief personage
of it was no less obscure, and his understanding and sentiments no less
quaint and strange (if indeed not more so), than any of the actors of
our poem. Margites was the name of this personage, whom antiquity
recordeth to have been Dunce the first; and surely, from what we hear of
him, not unworthy to be the root of so spreading a tree and so numerous
a posterity. The poem therefore celebrating him was properly and
absolutely a Dunciad; which, though now unhappily lost, yet is its
nature sufficiently known by the infallible tokens aforesaid. And thus
it doth appear that the first Dunciad was the first epic poem, written
by Homer himself, and anterior even to the Iliad or Odyssey.
Now, forasmuch as our poet had translated those two famous works of
Homer which are yet left, he did conceive it in some sort his duty to
imitate that also which was lost; and was therefore induced to bestow on
it the same form which Homer's is reported to have had, namely, that of
epic poem; with a title also framed after the ancient Greek manner, to
wit, that of Dunciad.
Wonderful it is that so few of the moderns have been stimulated to
attempt some Dunciad! since, in the opinion of the multitude, it might
cost less pain and oil than an imitation of the greater epic. But
possible it is also, that, on due reflection, the maker might find it
easier to paint a Charlemagne, a Brute, or a Godfrey, with just pomp and
dignity heroic, than a Margites, a Codrus, or a Flecknoe.
We shall next declare the occasion and the cause which moved our poet to
this particular work. He lived in those days, when (after Providence had
permitted the invention of printing as a scourge for the sins of the
learned) paper also became so cheap, and printers so numerous, that a
deluge of authors covered the land; whereby not only the peace of the
honest unwriting subject was daily molested, but unmerciful demands were
made of his applause, yea of his money, by such as would neither earn
the one nor deserve the other. At the same time, the licence of the
press was such, that it grew dangerous to refuse them either: for they
would forthwith publish slanders unpunished, the authors being
anonymous, and skulking under the wings of publishers, a set of men who
never scrupled to vend either calumny or blasphemy, as long as the town
would call for it.
Public-domain text, read in full here on John Shaqi.
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