The Poetical Works of Beattie, Blair, and Falconer: With Lives, Critical Dissertations, and Explanatory Notes — John Shaqi
The Poetical Works of Beattie, Blair, and Falconer: With Lives, Critical Dissertations, and Explanatory NotesBeattie, James
General
The Poetical Works of Beattie, Blair, and Falconer: With Lives, Critical Dissertations, and Explanatory Notes
Beattie, James
English poetry
I have endeavoured to imitate Spenser in the measure of his verse, and
in the harmony, simplicity, and variety of his composition. Antique
expressions I have avoided; admitting, however, some old words, where
they seemed to suit the subject: but I hope none will be found that are
now obsolete, or in any degree not intelligible to a reader of English
poetry.
To those who may be disposed to ask what could induce me to write in so
difficult a measure, I can only answer, that it pleases my ear, and
seems from its Gothic structure and original, to bear some relation to
the subject and spirit of the poem. It admits both simplicity and
magnificence of sound and of language, beyond any other stanza I am
acquainted with. It allows the sententiousness of the couplet, as well
as the more complex modulation of blank verse. What some critics have
remarked, of its uniformity growing at last tiresome to the ear, will be
found to hold true only when the poetry is faulty in other respects.
BOOK I.
Me vero primum dulces ante omnia Musae,
Quarum sacra fero, ingenti perculsus amore,
Accipiant--
VIRGIL
1
Ah! who can tell how hard it is to climb
The steep where Fame's proud temple shines afar?
Ah! who can tell how many a soul sublime
Has felt the influence of malignant star,
And waged with Fortune an eternal war--
Check'd by the scoff of Pride, by Envy's frown,
And Poverty's unconquerable bar--
In life's low vale remote has pined alone,
Then dropp'd into the grave, unpitied and unknown?
2
And yet the languor of inglorious days,
Not equally oppressive is to all;
Him who ne'er listen'd to the voice of praise,
The silence of neglect can ne'er appal.
There are, who, deaf to mad Ambition's call,
Would shrink to hear the obstreperous trump of Fame;
Supremely blest, if to their portion fall
Health, competence, and peace. Nor higher aim
Had he whose simple tale these artless lines proclaim.
3
The rolls of fame I will not now explore;
Nor need I here describe, in learned lay,
How forth the Minstrel fared in days of yore,
Right glad of heart, though homely in array;
His waving locks and beard all hoary gray;
While from his bending shoulder, decent hung
His harp, the sole companion of his way,
Which to the whistling wild responsive rung:
And ever as he went some merry lay he sung.
4
Fret not thyself, thou glittering child of pride,
That a poor villager inspires my strain;
With thee let Pageantry and Power abide:
The gentle Muses, haunt the sylvan reign;
Where through wild groves at eve the lonely swain
Enraptured roams, to gaze on Nature's charms:
They hate the sensual and scorn the vain,
The parasite their influence never warms,
Nor him whose sordid soul the love of gold alarms.
5
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