The Poetical Works of Beattie, Blair, and Falconer: With Lives, Critical Dissertations, and Explanatory NotesBeattie, James
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The Poetical Works of Beattie, Blair, and Falconer: With Lives, Critical Dissertations, and Explanatory Notes
Beattie, James
English poetry
While there, he wrote a few poetical pieces, which he sent with his
initials, and the name of his place of abode, to the _Scots Magazine_.
We can fancy him, like the immortal Peter Pattieson, on the day the
Magazine was due, walking as far as the little height of Auchcairnie, to
watch and weary for the long-expected carrier's cart wending its slow
way from the south and, when the parcel reached his hand, with eager,
trembling fingers, opening it up, to have all the joy of virgin
authorship awakened in his soul. In these days a poetic production from
the country seemed a phenomenon--as great, to use an expression of De
Quincey's, as if "a dragoon horse had struck up 'Rule Britannia,'" and
no doubt, many an eyebrow in Auld Reekie rose in wonder, and many a
voice exclaimed, "Who can this be?" when verses so good by J. B.
Fordoun, flashed upon the public from time to time. But, although his
poetry procured him more fame than he was then aware of, it brought him
nothing more, and his way to competence and elevation in society, seemed
as completely blocked up as ever.
It would seem that he had, from an early period of his life, looked
forward to the Church as his profession; and, having taught for some
time in Fordoun, he returned to Aberdeen, to prosecute those preparatory
studies which he had for a while abandoned for a parish school and
poetry. Here he attended the lectures of Dr Robert Pollock of Marischal
College, and Professor John Lumsden of King's-and performed the
exercises prescribed by both. It was at this time that he delivered a
discourse in the Divinity Hall in language so lofty, that the Professor
challenged him for writing poetry instead of prose--a story reminding us
of similar facts in the history of Thomson, Pollok, and others whose
names we do not mention--and corroborating the truth, that poetical
genius and the halls of philosophy or theology are seldom congenial, and
that "musty, fusty, crusty" old professors are in general harsh
stepfathers to rising poets.
Whether from chagrin on account of this criticism--and this is the more
probable, because Beattie was all along very sensitive to depreciation
or abuse--or from some other cause, he determined to abandon the study
of Divinity, and to follow teaching as a profession. In 1757, a vacancy
occurring in the Grammar School of Aberdeen, Beattie offered himself as
a candidate, but failed in the preliminary examination, as he had
himself expected, from a want of circumstantial and minute acquaintance
with the Latin tongue. A few months after, however, a second vacancy
having taken place in the same school, he was elected without the form
of a trial, and entered on the discharge of his duties in June 1758. He
was now in a more advantageous and a more reputable post--and while
discharging its duties with exemplary diligence, he found time for the
cultivation of his poetical gift.
Public-domain text, read in full here on John Shaqi.
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