The Poetical Works of John Dryden, Volume 2: With Life, Critical Dissertation, and Explanatory NotesDryden, John
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The Poetical Works of John Dryden, Volume 2: With Life, Critical Dissertation, and Explanatory Notes
Dryden, John
English poetry
From translating the first of Homer's Iliads (which I intended as an
essay to the whole work) I proceeded to the translation of the twelfth
book of Ovid's Metamorphoses, because it contains, among other things,
the causes, the beginning, and ending of the Trojan war. Here I ought in
reason to have stopped; but the speeches of Ajax and Ulysses lying next
in my way, I could not baulk them. When I had compassed them, I was so
taken with the former part of the fifteenth book, which is the
masterpiece of the whole Metamorphoses, that I enjoined myself the
pleasing task of rendering it into English. And now I found, by the
number of my verses, that they began to swell into a little volume;
which gave me an occasion of looking backward on some beauties of my
author, in his former books. There occurred to me the hunting of the
boar, Cinyras and Myrrha, the good-natured story of Baucis and Philemon,
with the rest, which I hope I have translated closely enough, and given
them the same turn of verse which they had in the original; and this, I
may say without vanity, is not the talent of every poet. He who has
arrived the nearest to it, is the ingenious and learned Sandys, the best
versifier of the former age; if I may properly call it by that name,
which was the former part of this concluding century. For Spenser and
Fairfax both flourished in the reign of Queen Elizabeth; great masters
in our language; and who saw much farther into the beauties of our
numbers, than those who immediately followed them. Milton was the
poetical son of Spenser, and Mr Waller of Fairfax; for we have our
lineal descents and clans, as well as other families. Spenser more than
once insinuates, that the soul of Chaucer was transfused into his body;
and that he was begotten by him two hundred years after his decease.
Milton has acknowledged to me, that Spenser was his original; and many
besides myself have heard our famous Waller own, that he derived the
harmony of his numbers from the Godfrey of Bulloigne, which was turned
into English by Mr Fairfax. But to return. Having done with Ovid for
this time, it came into my mind, that our old English poet Chaucer in
many things resembled him, and that with no disadvantage on the side of
the modern author, as I shall endeavour to prove when I compare them.
And as I am, and always have been, studious to promote the honour of my
native country, so I soon resolved to put their merits to the trial, by
turning some of the Canterbury tales into our language, as it is now
refined; for by this means, both the poets being set in the same light,
and dressed in the same English habit, story to be compared with story,
a certain judgment may be made betwixt them, by the reader, without
obtruding my opinion on him. Or if I seem partial to my countryman, and
predecessor in the laurel, the friends of antiquity are not few; and
besides many of the learned, Ovid has almost all the beaux, and the
whole fair sex, his declared patrons.
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