The Poetical Works of John Dryden, Volume 2: With Life, Critical Dissertation, and Explanatory NotesDryden, John
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The Poetical Works of John Dryden, Volume 2: With Life, Critical Dissertation, and Explanatory Notes
Dryden, John
English poetry
Perhaps I have assumed somewhat
more to myself than they allow me, because I have adventured to sum up
the evidence; but the readers are the jury, and their privilege remains
entire to decide according to the merits of the cause, or, if they
please, to bring it to another hearing, before some other court. In the
meantime, to follow the thread of my discourse (as thoughts, according
to Mr Hobbs, have always some connexion), so from Chaucer I was led to
think on Boccace, who was not only his contemporary, but also pursued
the same studies; wrote novels in prose, and many works in verse:
particularly is said to have invented the octave rhyme, or stanza of
eight lines, which ever since has been maintained by the practice of all
Italian writers, who are, or at least assume the title of, Heroic Poets.
He and Chaucer, among other things, had this in common, that they
refined their mother tongues; but with this difference, that Dante had
begun to file their language, at least in verse, before the time of
Boccace, who likewise received no little help from his master Petrarch.
But the reformation of their prose was wholly owing to Boccace himself,
who is yet the standard of purity in the Italian tongue; though many of
his phrases are become obsolete, as in process of time it must needs
happen. Chaucer, as you have formerly been told by our learned Mr Rymer,
first adorned and amplified our barren tongue from the Provençal, which
was then the most polished of all the modern languages; but this subject
has been copiously treated by that great critic, who deserves no little
commendation from us his countrymen. For these reasons of time, and
resemblance of genius in Chaucer and Boccace, I resolved to join them in
my present work; to which I have added some original papers of my own;
which, whether they are equal or inferior to my other poems, an author
is the most improper judge; and therefore, I leave them wholly to the
mercy of the reader. I will hope the best, that they will not be
condemned; but if they should, I have the excuse of an old gentleman,
who, mounting on horseback before some ladies, when I was present, got
up somewhat heavily, but desired of the fair spectators that they would
count fourscore and eight before they judged him. By the mercy of God, I
am already come within twenty years of his number, a cripple in my
limbs; but what decays are in my mind, the reader must determine. I
think myself as vigorous as ever in the faculties of my soul, excepting
only my memory, which is not impaired to any great degree; and if I lose
not more of it, I have no great reason to complain. What judgment I had,
increases rather than diminishes; and thoughts, such as they are, come
crowding in so fast upon me, that my only difficulty is to choose or to
reject; to run them into verse, or to give them the other harmony of
prose. I have so long studied and practised both, that they are grown
into a habit, and become familiar to me; in short, though I may lawfully
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