The Poetical Works of Oliver Wendell Holmes — Volume 04: Songs in Many KeysHolmes, Oliver Wendell
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The Poetical Works of Oliver Wendell Holmes — Volume 04: Songs in Many Keys
Holmes, Oliver Wendell
American poetry
Why dream I here within these caging walls,
Deaf to her voice, while blooming Nature calls;
Peering and gazing with insatiate looks
Through blinding lenses, or in wearying books?
Off, gloomy spectres of the shrivelled past!
Fly with the leaves that fill the autumn blast
Ye imps of Science, whose relentless chains
Lock the warm tides within these living veins,
Close your dim cavern, while its captive strays
Dazzled and giddy in the morning's blaze!
THE STUDY
YET in the darksome crypt I left so late,
Whose only altar is its rusted grate,--
Sepulchral, rayless, joyless as it seems,
Shamed by the glare of May's refulgent beams,--
While the dim seasons dragged their shrouded train,
Its paler splendors were not quite in vain.
From these dull bars the cheerful firelight's glow
Streamed through the casement o'er the spectral snow;
Here, while the night-wind wreaked its frantic will
On the loose ocean and the rock-bound hill,
Rent the cracked topsail from its quivering yard,
And rived the oak a thousand storms had scarred,
Fenced by these walls the peaceful taper shone,
Nor felt a breath to slant its trembling cone.
Not all unblest the mild interior scene
When the red curtain spread its falling screen;
O'er some light task the lonely hours were past,
And the long evening only flew too fast;
Or the wide chair its leathern arms would lend
In genial welcome to some easy friend,
Stretched on its bosom with relaxing nerves,
Slow moulding, plastic, to its hollow curves;
Perchance indulging, if of generous creed,
In brave Sir Walter's dream-compelling weed.
Or, happier still, the evening hour would bring
To the round table its expected ring,
And while the punch-bowl's sounding depths were stirred,--
Its silver cherubs smiling as they heard,--
Our hearts would open, as at evening's hour
The close-sealed primrose frees its hidden flower.
Public-domain text, read in full here on John Shaqi.
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