The Poetical Works of Oliver Wendell Holmes — Volume 06: Poems from the Breakfast Table SeriesHolmes, Oliver Wendell
General
The Poetical Works of Oliver Wendell Holmes — Volume 06: Poems from the Breakfast Table Series
Holmes, Oliver Wendell
American poetry
But speak in words of living power,--
They fall like drops of scalding rain
That plashed before the burning shower
Swept o' er the cities of the plain!
Then scowling Hate turns deadly pale,--
Then Passion's half-coiled adders spring,
And, smitten through their leprous mail,
Strike right and left in hope to sting.
If thou, unmoved by poisoning wrath,
Thy feet on earth, thy heart above,
Canst walk in peace thy kingly path,
Unchanged in trust, unchilled in love,--
Too kind for bitter words to grieve,
Too firm for clamor to dismay,
When Faith forbids thee to believe,
And Meekness calls to disobey,--
Ah, then beware of mortal pride!
The smiling pride that calmly scorns
Those foolish fingers, crimson dyed
In laboring on thy crown of thorns!
THE OPENING OF THE PIANO
IN the little southern parlor of the house you may have seen
With the gambrel-roof, and the gable looking westward to the green,
At the side toward the sunset, with the window on its right,
Stood the London-made piano I am dreaming of to-night!
Ah me I how I remember the evening when it came!
What a cry of eager voices, what a group of cheeks in flame,
When the wondrous box was opened that had come from over seas,
With its smell of mastic-varnish and its flash of ivory keys!
Then the children all grew fretful in the restlessness of joy,
For the boy would push his sister, and the sister crowd the boy,
Till the father asked for quiet in his grave paternal way,
But the mother hushed the tumult with the words, "Now, Mary, play."
For the dear soul knew that music was a very sovereign balm;
She had sprinkled it over Sorrow and seen its brow grow calm,
In the days of slender harpsichords with tapping tinkling quills,
Or carolling to her spinet with its thin metallic thrills.
So Mary, the household minstrel, who always loved to please,
Sat down to the new "Clementi," and struck the glittering keys.
Hushed were the children's voices, and every eye grew dim,
As, floating from lip and finger, arose the "Vesper Hymn."
Catharine, child of a neighbor, curly and rosy-red,
(Wedded since, and a widow,--something like ten years dead,)
Hearing a gush of music such as none before,
Steals from her mother's chamber and peeps at the open door.
Just as the "Jubilate" in threaded whisper dies,
"Open it! open it, lady!" the little maiden cries,
(For she thought 't was a singing creature caged in a box she heard,)
"Open it! open it, lady! and let me see the _bird!_"
MIDSUMMER
HERE! sweep these foolish leaves away,
I will not crush my brains to-day!
Look! are the southern curtains drawn?
Fetch me a fan, and so begone!
Not that,--the palm-tree's rustling leaf
Brought from a parching coral-reef
Its breath is heated;--I would swing
The broad gray plumes,--the eagle's wing.
I hate these roses' feverish blood!
Pluck me a half-blown lily-bud,
A long-stemmed lily from the lake,
Cold as a coiling water-snake.
Public-domain text, read in full here on John Shaqi.
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