The Poetical Works of Thomas Traherne, 1636?-1674, from the original manuscriptsTraherne, Thomas
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The Poetical Works of Thomas Traherne, 1636?-1674, from the original manuscripts
Traherne, Thomas
English poetry -- Early modern, 1500-1700
I think I have produced evidence enough to convince the reader of the
soundness of my contention: if not, I will undertake to produce a good
deal more. It is fortunate, indeed, that "A Serious and Patheticall
Contemplation" should have stolen into print (for neither at the time
of its publication nor subsequently does it appear to have attracted
any attention), since without it we should have had no clue to the
authorship of these poems.
* * * * *
Mr. W. T. Brooke has discovered in the British Museum a broadside with
the following title, "A Congratulatory Poem on the Right Honourable S^r
Orlando Bridgman, Lord Keeper of the Great Seal of England," which, he
suggests, may possibly have been written by the author of the poems
here printed. But though it is a poem of considerable merit, it has,
in my opinion, no correspondence in style with Traherne's poems. A few
lines from it, however, will not be altogether out of place here:
Were all your own Rolls searcht scarce should we find
That noble seat filled with so fit a mind:
So brave a mind as baseness ne'er allays,
So great a mind as greatness cannot raise,
So just a mind as interest can't seduce,
So wise a mind as colours can't abuse,
So large a mind as largest Trusts do crave,
So calm a mind as Equity should have.
High Courtships construed in the present tense,
Law's Oracle without perplexed sense,
A sober piety in a virtuoso,
And an Orlando without Furioso.
TRAHERNE'S "SERIOUS AND PATHETICALL CONTEMPLATION OF THE
MERCIES OF GOD"
This book would hardly be complete without some account of the above
work. It is a small 12mo volume of 146 pages, with an engraved
frontispiece. It is written--excepting the three pieces of verse which
I have already printed--in a kind of unrhymed verse, which is curiously
suggestive of the style of Whitman's "Leaves of Grass," particularly in
the frequent passages in which the author enumerates or catalogues, as
the American poet does, every object he can think of which bears any
relation to his theme. There were, of course, more points of unlikeness
than of likeness between the two poets, but they at least resembled
each other in their invincible optimism, as well as in the points
mentioned above. Whitman could not have known of the existence of the
"Serious and Patheticall Contemplation"; but had it been accessible
to him, it might well have been suspected that he was under some
obligations to it.
Public-domain text, read in full here on John Shaqi.
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