The Poetical Works of Thomas Traherne, 1636?-1674, from the original manuscripts — John Shaqi
The Poetical Works of Thomas Traherne, 1636?-1674, from the original manuscriptsTraherne, Thomas
General
The Poetical Works of Thomas Traherne, 1636?-1674, from the original manuscripts
Traherne, Thomas
English poetry -- Early modern, 1500-1700
I must now give some account of Traherne's "Christian Ethicks." It
is so rare a book that I have only just obtained a copy of it, after
searching for it for nearly two years. Few books surely have had so
unfortunate a fate. If there is a better book of its kind in the
English language I have not been so fortunate as to meet with it. It
is a work full of eloquence, persuasiveness, sagacity, and piety.
While the author's concern, as might be expected, is chiefly with the
spiritual life, he is by no means destitute of worldly wisdom, and he
often exhibits a shrewdness and knowledge of human nature which would
scarcely be expected from him. Open the book anywhere you please you
can hardly fail to discover a fine thought finely expressed. How then
shall we account for the fact that the work has remained in total
obscurity from the time of its first publication to the present day?
The fact that the author died before its appearance, and it was thus
thrown into the world without a parent or friend to foster it, was
no doubt in some degree accountable for its ill-fortune. It is true
that the author makes no appeal to the uninstructed or the fanatical,
and keeps throughout the work upon a higher level of thought than
the generality of readers can ascend to. He is somewhat too fond of
debating abstruse points of metaphysics, and of dwelling upon the
subtleties of theological speculation. Yet there is in the book enough,
one would think, of homely wisdom, and even of wit, to have secured it
a warm welcome from all those to whom it appealed.
I think the reader--since he is not likely to obtain a copy of
"Christian Ethicks," however much he may desire it--will be glad to
see a few extracts from it. And first I will quote a passage from
the chapter "Of Magnanimity." I do this because of its personal
interest--for Traherne, in painting the character of a magnanimous man,
was, whether consciously or unconsciously, drawing his own portrait.
Flattering as the picture may seem, I do not doubt in the least that it
is a true one.
Public-domain text, read in full here on John Shaqi.
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