"I often saw Collins in London in 1750. This was before his illness. He then told me of his intended History of the Revival of Learning, and proposed a scheme of a review, to be called the Clarendon Review, and to be printed at the university press, under the conduct and authority of the university. About Easter, the next year, I was in London; when, being given over, and supposed to be dying, he desired to see me, that he might take his last leave of me; but he grew better; and in the summer he sent me a letter on some private business, which I have now by me, dated Chichester, June 9, 1751, written in a fine hand, and without the least symptom of a disordered or debilitated understanding. In 1754, he came to Oxford for change of air and amusement, where he stayed a month; I saw him frequently, but he was so weak and low, that he could not bear conversation. Once he walked from his lodgings, opposite Christ Church, to Trinity College, but supported by his servant. The same year, in September, I and my brother visited him at Chichester, where he lived, in the cathedral cloisters, with his sister. The first day he was in high spirits at intervals, but exerted himself so much that he could not see us the second. Here he showed us an Ode to Mr. John Home, on his leaving England for Scotland, in the octave stanza, very long, and beginning, Home, thou return'st from Thames. I remember there was a beautiful description of the spectre of a man drowned in the night, or, in the language of the old Scotch superstitions, seized by the angry spirit of the waters, appearing to his wife with pale blue cheek, &c. Mr. Home has no copy of it. He also showed us another ode, of two or three four-lined stanzas, called the Bell of Arragon; on a tradition that, anciently, just before the king of Spain died, the great bell of the cathedral of Sarragossa, in Arragon, tolled spontaneously. It began thus: The bell of Arragon, they say, Spontaneous speaks the fatal day. Soon afterwards were these lines: Whatever dark aerial power, Commission'd, haunts the gloomy tower. The last stanza consisted of a moral transition to his own death and knell, which he called 'some simpler bell.' I have seen all his odes already published in his own handwriting; they had the marks of repeated correction: he was perpetually changing his epithets. Dr. Warton, my brother, has a few fragments of some other odes, but too loose and imperfect for publication, yet containing traces of high imagery.