It is unnecessary to append to the Memoir of Collins many observations on the character of his poetry, because its peculiar beauties, and the qualities by which it is distinguished, are described with considerable force and eloquence by Sir Egerton Brydges, in the Essay prefixed to this edition. Campbell's remarks on the same subject cannot be forgotten; and other critics of the highest reputation have concurred in ascribing to Collins a conception and genius scarcely exceeded by any English poet. To say that Sir Egerton Brydges's Essay exaggerates the merit of some of his productions may produce the retort which has been made to Johnson's criticism, that he was too deficient in feeling to be capable of appreciating the excellence of the pieces which he censures. It is not, however, inconsistent with a high respect for Collins, to ascribe every possible praise to that unrivaled production, the Ode to the Passions, to feel deeply the beauty, the pathos, and the sublime conceptions of the Odes to Evening, to Pity, to Simplicity, and a few others, and yet to be sensible of the occasional obscurity and imperfections of his imagery in other pieces, to find it difficult to discover the meaning of some passages, to think the opening of four of his odes which commence with the common-place invocation of "O thou," and the alliteration by which so many lines are disfigured, blemishes too serious to be forgotten, unless the judgment be drowned in the full tide of generous and enthusiastic admiration of the great and extraordinary beauties by which these faults are more than redeemed. That these defects are to be ascribed to haste it would be uncandid to deny; but haste is no apology for such faults in productions which scarcely fill a hundred pages, and which their author had ample opportunities to remove. It may also be thought heterodoxy by the band, which, if small in numbers, is distinguished by taste, feeling, and genius, to concur in Collins's opinion, when he expressed himself dissatisfied with his Eclogues; for, though they are not without merit, it is very doubtful if they would have lived, even till this time, but for the Odes with which they are published, notwithstanding the zeal of Dr. Langhorne, who is in raptures over passages the excellence of which is not very conspicuous. To give a preference to the Verses to Sir Thomas Hanmer, of which all that Langhorne could find to say is, "that the versification is easy and genteel, and the allusions always poetical," and especially to the Ode addressed to Mr. Home, on the superstition of the Highlands, over the Eclogues, may possibly be deemed to betray a corrupt taste, since it is an admission which is, it is believed, made for the first time. In that Ode, among a hundred other beautiful verses, the following address to Tasso has seldom been surpassed: