The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National CharacterRuskin, John
Philosophy
The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National Character
Ruskin, John
Architecture
55. This ease and irregularity is peculiarly delightful where
gracefulness and freedom of outline and detail are, as they always are
in mountain countries, the chief characteristics of every scene. It is
well that, where every plant is wild and every torrent free, every field
irregular in its form, every knoll various in its outline, one is not
startled by well built walls, or unyielding roofs, but is permitted to
trace in the stones of the peasant's dwelling, as in the crags of the
mountain side, no evidence of the line or the mallet, but the operation
of eternal influences, the presence of an Almighty hand. Another
perfection connected with its ease of outline is, its severity of
character: there is no foppery about it; not the slightest effort at any
kind of ornament, but what nature chooses to bestow; it wears all its
decorations wildly, covering its nakedness, not with what the peasant
may plant, but with what the winds may bring. There is no gay color or
neatness about it; no green shutters or other abomination: all is calm
and quiet, and severe, as the mind of a philosopher, and, withal, a
little somber. It is evidently old, and has stood many trials in its
day; and the snow, and the tempest, and the torrent have all spared it,
and left it in its peace, with its gray head unbowed, and its early
strength unbroken, even though the spirit of decay seems creeping, like
the moss and the lichen, through the darkness of its crannies. This
venerable and slightly melancholy character is the very soul of all its
beauty.
56. There remains only one point to be noticed, its humility. This was
before stated to be desirable, and it will here be found in perfection.
The building draws as little attention upon itself as possible; since,
with all the praise I have bestowed upon it, it possesses not one point
of beauty in which it is not equaled or excelled by every stone at the
side of the road. It is small in size, simple in form, subdued in tone,
easily concealed or overshadowed; often actually so; and one is always
delighted and surprised to find that what courts attention so little is
capable of sustaining it so well. Yet it has no appearance of weakness:
it is stoutly, though rudely, built; and one ceases to fear for its sake
the violence of surrounding agencies, which, it may be seen, will be
partly deprecated by its humility.
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