The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National CharacterRuskin, John
Philosophy
The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National Character
Ruskin, John
Architecture
67. Fig. 7, _a_, _b_ and _c_ are English chimneys. They are
distinguishable, we think, at a glance, from all the rest, by a
downright serviceableness of appearance, a substantial, unaffected,
decent, and chimney-like deportment, in the contemplation of which we
experience infinite pleasure and edification, particularly as it seems
to us to be strongly contrasted with an appearance, in all the other
chimneys, of an indefinable something, only to be expressed by the
interesting word "humbug." Fig. _7 a_ is a chimney of Cumberland, and
the north of Lancashire. It is, as may be seen at a glance, only
applicable at the extremity of the roof, and requires a bent flue. It is
built of unhewn stones, in the same manner as the Westmoreland cottages;
the flue itself being not one-third the width of the chimney, as is seen
at the top, where four flat stones placed on their edges form the
termination of the flue itself, and give lightness of appearance to the
whole. Cover this with a piece of paper, and observe how heavy and
square the rest becomes. A few projecting stones continue the line of
the roof across the center of the chimney, and two large masses support
the projection of the whole, and unite it agreeably with the wall. This
is exclusively a cottage chimney; it cannot, and must not, be built of
civilized materials; it must be rough, and mossy, and broken; but it is
decidedly the best chimney of the whole set. It is simple and
substantial, without being cumbrous; it gives great variety to the wall
from which it projects, terminates the roof agreeably, and dismisses its
smoke with infinite propriety.
[Illustration: FIG. 7. Chimneys.]
68. Fig. _b_ is a chimney common over the whole of the north of England;
being, as I think, one that will go well in almost any wind, and is
applicable at any part of the roof. It is also roughly built, consisting
of a roof of loose stones, sometimes one large flat slab, supported
above the flue by four large supports, each of a single stone. It is
rather light in its appearance, and breaks the ridge of a roof very
agreeably. Separately considered, it is badly proportioned; but, as it
just equals the height to which a long chimney at the extremity of the
building would rise above the roof (as in a), it is quite right _in
situ_, and would be ungainly if it were higher. The upper part is always
dark, owing to the smoke, and tells agreeably against any background
seen through the hollow.
Public-domain text, read in full here on John Shaqi.
The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National Character — John Shaqi
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account