The poetry of Robert BrowningBrooke, Stopford A. (Stopford Augustus)
General
The poetry of Robert Browning
Brooke, Stopford A. (Stopford Augustus)
Browning, Robert, 1812-1889 -- Criticism and interpretation
Nor was this reversion to the passion of youthful love altogether a new
departure. The lyrics in _Ferishtah's Fancies_ are written to represent,
from the side of emotion, the intellectual and ethical ideas worked out
in the poems. The greater number of them are beautiful, and they would
gain rather than lose if they were published separately from the poems.
Some are plainly of the same date as the poems. Others, I think, were
written in Browning's early time, and the preceding poems are made to
fit them. But whatever be their origin, they nearly all treat of love,
and one of them with a crude claim on the love of the senses alone, as
if that--as if the love of the body, even alone--were not apart from
the consideration of a poet who wished to treat of the whole of human
nature. Browning, when he wished to make a thought or a fact quite
plain, frequently stated it without any of its modifications, trusting
to his readers not to mistake him; knowing indeed, that if they cared to
find the other side--in this case the love which issues from the senses
and the spirit together, or from the spirit alone--they would find it
stated just as soundly and clearly. He meant us to combine both
statements, and he has done so himself with regard to love.
When, however, we have considered these exceptions, it still remains
curious how little the passionate Love-poem, with its strong personal
touch, exists in Browning's poetry. One reason may be that Love-poems of
this kind are naturally lyrical, and demand a sweet melody in the verse,
and Browning's genius was not especially lyrical, nor could he
inevitably command a melodious movement in his verse. But the main
reason is that he was taken up with other and graver matters, and
chiefly with the right theory of life; with the true relation of God and
man; and with the picturing--for absolute Love's sake, and in order to
win men to love one another by the awakening of pity--of as much of
humanity as he could grasp in thought and feeling. Isolated and personal
love was only a small part of this large design.
Public-domain text, read in full here on John Shaqi.
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