The poetry of Robert BrowningBrooke, Stopford A. (Stopford Augustus)
General
The poetry of Robert Browning
Brooke, Stopford A. (Stopford Augustus)
Browning, Robert, 1812-1889 -- Criticism and interpretation
One personal love, however, he possessed fully and intensely. It was his
love for his wife, and three poems embody it. The first is _By the
Fireside_. It does not take rank as a true love lyric; it is too long,
too many-motived for a lyric. It is a meditative poem of recollective
tenderness wandering through the past; and no poem written on married
love in England is more beautiful. The poet, sitting silent in the room
where his wife sits with him, sees all his life with her unrolled, muses
on what has been, and is, since she came to bless his life, or what will
be, since she continues to bless it; and all the fancies and musings
which, in a usual love lyric, would not harmonise with the intensity of
love-passion in youth, exactly fit in with the peace and satisfied joy
of a married life at home with God and nature and itself. The poem is
full of personal charm. Quiet thought, profound feeling and sweet memory
like a sunlit mist, soften the aspect of the room, the image of his
wife, and all the thoughts, emotions and scenery described. It is a
finished piece of art.
The second of these poems is the Epilogue to the volumes of _Men and
Women_, entitled _One Word More_. It also is a finished piece of art,
carefully conceived, upbuilded stone by stone, touch by touch, each
separate thought with its own emotion, each adding something to the
whole, each pushing Browning's emotion and picture into our souls, till
the whole impression is received. It is full, and full to the brim, with
the long experience of peaceful joy in married love. And the subtlety of
the close of it, and of Browning's play with his own fancy about the
moon, do not detract from the tenderness of it; for it speaks not of
transient passion but of the love of a whole life lived from end to end
in music.
The last of these is entitled _Prospice_. When he wrote it he had lost
his wife. It tells what she had made of him; it reveals alike his
steadfast sadness that she had gone from him and the steadfast
resolution, due to her sweet and enduring power, with which, after her
death, he promised, bearing with him his sorrow and his memory of joy,
to stand and withstand in the battle of life, ever a fighter to the
close--and well he kept his word. It ends with the expression of his
triumphant certainty of meeting her, and breaks forth at last into so
great a cry of pure passion that ear and heart alike rejoice. Browning
at his best, Browning in the central fire of his character, is in it.
Public-domain text, read in full here on John Shaqi.
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