The poetry of Robert BrowningBrooke, Stopford A. (Stopford Augustus)
General
The poetry of Robert Browning
Brooke, Stopford A. (Stopford Augustus)
Browning, Robert, 1812-1889 -- Criticism and interpretation
The scenery of the poem is as usual clear. We are in fifteenth-century
Florence at night. There is no set description, but the slight touches
are enough to make us see the silent lonely streets, the churches, the
high walls of the monastic gardens, the fortress-palaces. The sound of
the fountains is in our ears; the little crowds of revelling men and
girls appear and disappear like ghosts; the surly watch with their
weapons and torches bustle round the corner. Nor does Browning neglect
to paint by slight enlivening touches, introduced into Lippo Lippi's
account of himself as a starving boy, the aspect by day and the
character of the Florence of the fifteenth century. This painting of
his, slight as it is, is more alive than all the elaborate descriptions
in _Romola_.
As to the poem itself, Browning plunges at once into his matter; no long
approaches, no elaborate porches belong to his work. The man and his
character are before us in a moment--
I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? You think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
For three weeks he has painted saints, and saints, and saints again, for
Cosimo in the Medici Palace; but now the time of blossoms has come.
Florence is now awake at nights; the secret of the spring moves in his
blood; the man leaps up, the monk retires.
Ouf! I leaned out of window for fresh air.
There came a hurry of feet and little feet,
A sweep of lute-strings, laughs and whifts of song,--
_Flower o' the broom._
_Take away love, and our earth is a tomb!_
_Flower of the quince,_
_I let Lisa go, and what good in life since?_
_Flower of the thyme_--and so on. Round they went.
Scarce had they turned the corner when a titter,
Like the skipping of rabbits by moonlight,--three slim shapes,
And a face that looked up ... zooks, sir, flesh and blood,
That's all I'm made of! Into shreds it went,
Curtain and counterpane and coverlet,
All the bed furniture--a dozen knots,
There was a ladder! Down I let myself,
Hands and feet, scrambling somehow, and so dropped,
And after them. I came up with the fun
Hard by St. Laurence, hail fellow, well met,--
_Flower o' the rose,_
_If I've been merry, what matter who knows?_
Public-domain text, read in full here on John Shaqi.
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