Lincoln attained this classic perfection of ordered thought, and with it, as an inevitable accompaniment this classic beauty of expression, only by great struggle. He became a poet of the first rank only by virtue of his moral spirit. He was continually correcting deficiencies in his character, which were far greater than is generally received, owing to the tendency of American historians of the tribe of Parson Weems to find by force illustrations of moral heroism in the youth of our great men. Thus Lincoln is represented as a noble lad, who, having allowed a borrowed book to be ruined by rain, went to the owner and offered to "pull fodder" to repay him, which the man ungenerously permitted him to do. The truth is, that the neighbor, to whom the book was a cherished possession, required him to do the work in repayment, and that Lincoln not only did it grudgingly, but afterwards lampooned the man so severely in satiric verse that he was ashamed to show himself at neighborhood gatherings. All the people about Gentryville feared Lincoln's caustic wit, and disliked him for it, although they were greatly impressed with his ability exhibited thereby. Lincoln recognized his moral obliquity, and curbed his propensity for satire, which was a case of that "exercise of natural faculty" which affects all gifted persons. And when he left that region he visited all the neighbors, and asked pardon of those whom he had ridiculed. The true Lincoln is a far better example to boys than the fictitious one, in that he had more unlovely traits at first than the average lad, yet he reformed, with the result that, when he went to new scenes, he speedily became the most popular young man in the neighborhood. He was one of those who "rise on stepping stones Of their dead selves to higher things."