Produced by David Widger
THE POINT OF HONOR
BY
A MILITARY TALE
BY
JOSEPH CONRAD
ILLUSTRATIONS BY DAN SAYRE GROESBECK
NEW YORK
THE MCCLURE COMPANY
MCMVIII
Copyright, 1908, by The McClure Company
Copyright, 1907, 1908, by Joseph Conrad
LIST OF ILLUSTRATIONS
“You will fight no more duels now” Frontispiece
“Bowing before a sylph-like form reclining on a couch”
“The angry clash of arms filled that prim garden”
“You take the nearest brute, Colonel D'Hubert”
I
Napoleon the First, whose career had the quality of a duel against the
whole of Europe, disliked duelling between the officers of his army. The
great military emperor was not a swashbuckler, and had little respect
for tradition.
Nevertheless, a story of duelling which became a legend in the army runs
through the epic of imperial wars. To the surprise and admiration of
their fellows, two officers, like insane artists trying to gild refined
gold or paint the lily, pursued their private contest through the
years of universal carnage. They were officers of cavalry, and their
connection with the high-spirited but fanciful animal which carries men
into battle seems particularly appropriate. It would be difficult to
imagine for heroes of this legend two officers of infantry of the line,
for example, whose fantasy is tamed by much walking exercise and whose
valour necessarily must be of a more plodding kind. As to artillery,
or engineers whose heads are kept cool on a diet of mathematics, it is
simply unthinkable.
The names of the two officers were Feraud and D'Hubert, and they were
both lieutenants in a regiment of hussars, but not in the same regiment.
Feraud was doing regimental work, but Lieutenant D'Hubert had the good
fortune to be attached to the person of the general commanding the
division, as _officier d'ordonnance_. It was in Strasbourg, and in this
agreeable and important garrison, they were enjoying greatly a short
interval of peace. They were enjoying it, though both intensely warlike,
because it was a sword-sharpening, firelock-cleaning peace dear to a
military heart and undamaging to military prestige inasmuch that no one
believed in its sincerity or duration.
Under those historical circumstances so favourable to the proper
appreciation of military leisure Lieutenant D'Hubert could have been
seen one fine afternoon making his way along the street of a cheerful
suburb towards Lieutenant Feraud's quarters, which were in a private
house with a garden at the back, belonging to an old maiden lady.
His knock at the door was answered instantly by a young maid in Alsatian
costume. Her fresh complexion and her long eyelashes, which she lowered
modestly at the sight of the tall officer, caused Lieutenant D'Hubert,
who was accessible to esthetic impressions, to relax the cold, on-duty
expression of his face. At the same time he observed that the girl had
over her arm a pair of hussar's breeches, red with a blue stripe.
Public-domain text, read in full here on John Shaqi.
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