Chapple pulled himself together. This must stop. He had said that several times previously, but now he meant it. Nor poppy, nor mandragora, nor all the drowsy syrups of the world should make him oversleep himself again. This time he would try a combination of schemes. Before he went to bed that night he put his watch on half an hour, wound it up, and placed it on a chair at his bedside. Then he seized his rug and all the blankets except one, and tore them off. Then he piled them in an untidy heap in the most distant corner of the room. He meant to put temptation out of his reach. There should be no genial warmth on this occasion. Nor was there. He woke at six feeling as if he were one solid chunk of ice. He put up with it in a torpid sort of way till seven. Then he could stand it no longer. It would not be pleasant getting up and going downstairs to the cheerless junior day-room, but it was the only thing to do. He knew that if he once wrapped himself in the blankets which stared at him invitingly from the opposite corner of the room, he was lost. So he crawled out of bed, shivering, washed unenthusiastically, and he proceeded to put on his clothes. Downstairs it was more unpleasant than one would have believed possible. The day-room was in its usual state of disorder. The fire was not lit. There was a vague smell of apples. Life was very, very grey. There seemed no brightness in it at all. He sat down at the table and began once more the task of constructing a handy model steam-engine, but he speedily realised, what he had suspected before, that the instructions were the work of a dangerous madman. What was the good of going on living when gibbering lunatics were allowed to write for weekly papers? About this time his gloom was deepened by the discovery that a tin labelled mixed biscuits, which he had noticed in Brodie's locker, was empty. He thought he would go for a stroll. It would be beastly, of course, but not so beastly as sitting in the junior day-room. It is just here that the tragedy begins to deepen. Passing out of Seymour's gate he met Brooke, of Appleby's. Brooke wore an earnest, thoughtful expression. "Hullo, Brooke," said Chapple, "where are you off to?" It seemed that Brooke was off to the carpenter's shop. Hence the earnest, thoughtful expression. His mind was wrestling with certain pieces of wood which he proposed to fashion into photograph frames. There was always a steady demand in the school for photograph frames, and the gifted were in the habit of turning here and there an honest penny by means of them. The artist soul is not always unfavourable to a gallery. Brooke said he didn't mind if Chapple came along, only he wasn't to go rotting about or anything. So Chapple went along.