Fiction -- History and criticism; Political fiction -- History and criticism; Politics in literature
and far more accomplished than Shirer’s book. Archer is victimized not
only by _Blueprint_ and the people who surrender to it, but by two
of the people he defends. Frances Motherwell renounces Communism and
denounces Archer. Vic Herres, an old friend and secretly a fanatical
Communist, has acted for his cell in selecting Archer as a “convenient
point of attack,” one who would fight the Communists’ battle for them.
The novel thus records the painful education of an honorable man whose
naïveté about American Communists is matched by his ignorance of their
opponents who borrow Communist methods. The book is very well done, and
in the reader-association with Archer which it produces, it provides a
vicarious ordeal of arbitrarily assumed guilt-by-association with no
recourse to conventional legal relief.
_Stranger Come Home_ is a fictionalized account of a group of similar
cases familiar to most newspaper readers. Here the spark is ignited by
a publication called _Red Airwaves_. Commentator Raymond Whitehead has
been blacklisted after his defense of Foreign Service officer Stephen
Burnett, accused of Communist sympathies before the investigating
committee of Senator O’Brien. Burnett is charged with conspiring to
give China to the Communists. He has actually done nothing more than
follow the foreign policy of the Roosevelt and Truman administrations
and criticize the corruption he saw in the regime of Chiang Kai-shek.
Whitehead successively loses his sponsor, his air time, and his job.
While he is in Europe he is accused by Senator O’Brien of being
a Soviet agent. This charge is based upon the testimony of two
ex-Communists who have become professional witnesses against people
like Burnett and Whitehead. To give immediacy and the personal impact
of the experience, the book is written in diary form. Although its
fidelity to actual events makes it seem a transcription and though its
quality as a work of art is not outstanding, the novel succeeds in
driving its point home. The villains are quite black and the heroes are
quite white despite the peccadillo here and there meant apparently to
humanize them. Nevertheless, the reader who grants belief and sympathy
to Burnett and Whitehead will be hard put to suppress indignation and
fear at the people, methods, and events which combine to bring near
ruin to two intelligent and patriotic United States citizens.
Public-domain text, read in full here on John Shaqi.
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