Fiction -- History and criticism; Political fiction -- History and criticism; Politics in literature
Mailer’s _Barbary Shore_, which is not a part of any of the three
post-war trends, displays the novelist’s function as a historian in its
retelling of the story of the Russian Revolution. A twenty-page account
and eulogy are followed by a description of the revolution’s failure
to spread and its consequent nationalization. Lovett also recounts his
discipleship under Trotsky before he goes on to list the forces which
created a police state instead of a promised land.
THE CONTINENT AND ELSEWHERE
=Joseph Conrad: Colonial Politics and Revolution=
Joseph Conrad’s _Nostromo_ (1904) may be read as a history if one
interprets it as a typical case of government-making by foreign
industrial interests in late-nineteenth-century South America. With
the American Holroyd as his silent partner and financial backer,
British-educated Charles Gould uses the wealth of his San Tomas silver
mine to finance the successful revolt of Occidental Province from
the Republic of Costaguana, which is in the grip of the tyrannical
Montero brothers. A good deal of actual history is injected through
the reminiscences of old Giorgio Viola, who had fought under
Garibaldi across South America to Italy. But it was in _The Secret
Agent_ and _Under Western Eyes_ that Conrad recorded more memorable
history. Both books give extensive accounts of revolutionary and
counter-revolutionary activities. A superb artist, Conrad did not
need to go to a series of actual events and people. His imaginative
synthesis of the factors which produce them created, however,
a true pattern of this whole complex of revolutionary activity.
Besides the sensitive exploration of the characters of Razumov,
Nathalia, and Victorovitch, one finds actions which characterized the
movement in which they were swept up. Conrad presents the espionage
and counter-espionage, the bomb plots, and the abortive revolts.
Though he wrote out of revulsion at revolutionary activity, his
point of view did not blind him to the miseries of Czarist Russia.
With artistic integrity, he described the repressive commissions,
their imprisonments, exiles, and executions. His account of the fate
of Mikulin, chief of Czarist counter-espionage, makes extremely
interesting reading in 1954. For Mikulin one could almost substitute
Koestler’s Rubashov:
Public-domain text, read in full here on John Shaqi.
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