Fiction -- History and criticism; Political fiction -- History and criticism; Politics in literature
Later on, the larger world first heard of him in the very hour
of his downfall, during one of those State trials which astonish
and puzzle the average man who reads the newspapers by a glimpse
of unsuspected intrigues. And in the stir of vaguely seen
monstrosities, in that momentary, mysterious disturbance of muddy
waters, Councilor Mikulin went under, dignified, with only a calm,
emphatic protest of his innocence--nothing more. No disclosures
damaging to a harassed autocracy, complete fidelity to the secret
of the miserable _arcana imperii_, deposited in his patriotic
breast a display of bureaucratic stoicism in a Russian official’s
ineradicable, almost sublime contempt for truth; stoicism of
silence understood only by very few of the initiated, and not
without a certain cynical grandeur of self-sacrifice on the part
of a Sybarite. For the terribly heavy sentence turned Councilor
Mikulin civilly into a corpse, and actually into something very
much like a common convict.
It seems that the savage autocracy, any more than the divine
democracy, does not limit its diet exclusively to the bodies of its
enemies. It devours its friends and servants as well.
=The Soviet State: Its Roots and Growth=
It was this same Czarist Russia of which Turgenev wrote in _Fathers
and Sons_. Examining Nihilism, he also looked at contemporary events
such as the emancipation of serfs and the attempts of some landowners
to improve the lot of their workers despite agrarian disturbances.
Violently anti-revolutionary, Dostoyevsky replied in _The Possessed_ to
what appeared to him to be Turgenev’s advocacy of revolution. In his
massive and powerful novel he showed the agitation produced by groups
such as the “quintets” organized by Pyotr Verhovensky, themselves the
forerunners of the Communist cells.
In Koestler’s _Darkness at Noon_ Dostoyevsky’s nightmare becomes an
even more terrible actuality. In his introductory note Koestler writes:
The characters in this book are fictitious. The historical
circumstances which determined their actions are real. The life of
the man N. S. Rubashov is a synthesis of the lives of a number of
men who were victims of the so-called Moscow Trials. Several of
them were personally known to the author. This book is dedicated to
their memory.
Public-domain text, read in full here on John Shaqi.
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