The Poniard's Hilt; Or, Karadeucq and Ronan. A Tale of Bagauders and Vagres — John Shaqi
The Poniard's Hilt; Or, Karadeucq and Ronan. A Tale of Bagauders and VagresSue, Eugène
History
The Poniard's Hilt; Or, Karadeucq and Ronan. A Tale of Bagauders and Vagres
Sue, Eugène
France -- History -- To 987 -- Fiction
In the meantime, what is the bishop doing while his bishopess, lost in
revery on the balcony over the terrace, contemplates the stars, sighs
into the darkness, and breathes her sorrows and her devilish hopes upon
the midnight breezes? The holy man is drinking and conferring with Count
Neroweg, who happens on this night to be his guest. The banquet hall in
which they are seated is built after the Roman fashion. It is a spacious
room, ornamented with marble pillars, and decked with gilded work and
fresco paintings. Gold and silver vases are ranged on ivory sideboards.
The floor is slabbed with rich mosaics that are pleasing to the eye. But
still more pleasing to the eye is the large table loaded with drinking
cups and half-emptied amphoras. The leudes, Neroweg's companions in arms
and his equals in time of peace, have gone to play at dice with the
bishop's clerks and familiars in the vestibule, after having partaken of
supper at the same table with the count, as is the custom. Here and
there along the walls the rough weapons of the leudes are stacked
up--wooden bucklers, iron-rimmed staves, 'francisques' or double-edged
axes, 'haugons' or demi-pikes furnished with iron grappling hooks. The
count's buckler is illumined with a painting that represents three
eagle's talons. Left alone at table with his guest, the prelate induces
Neroweg to drain cup after cup. At the lower end of the table sits a
hermit laborer. He drinks not, neither does he speak. At times he seems
to listen to the conversation of the two topers. Oftener, however, he is
steeped in thought.
The Frank, Count Neroweg, has the appearance and emits the odor of a
wild-boar in spring; his face resembles a bird of prey, with his beaked
nose and restless little eyes that alternately assume a savage and then
a sleepy look; his coarse yellow hair, tied over his head with a leather
thong, falls back over his neck like a mane; the coiffure of these
barbarians remained unchanged during the last two centuries. Neroweg's
chin and cheeks are closely shaven, but his long reddish moustache
droops down to his chest, which is covered by a doe-skin jacket, shines
with grease, and is dotted with wine spots. Long leathern straps
criss-cross over his lower hose from his coarse iron-spiked shoes up to
his knees. He has removed his heavy sword from his broad and loosely
hanging baldric and laid it upon a seat nearby, beside a stout holly
club. Such is the convivial guest of the prelate, such is Count Neroweg,
one of these new masters of the old lands of Gaul.
Bishop Cautin resembles a large, fat, ruttish fox--lascivious and sly
eyes, red ears, a mobile and pointed nose, hirsute hands. He prinks in
his violet robe of fine woven silk. And what a paunch! One would say
there was a barrel under the gown.
Public-domain text, read in full here on John Shaqi.
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