British -- India -- Fiction; India -- Social life and customs -- Fiction; Women -- India -- Fiction
‘Well,’ I said, ‘it is a wonderfully spirited, dashing thing, and the
treatment of all that cane-brake and jungle grass is superb.’
‘Ze treatment--pardon me, sir, I overboil--do you know which is ze
Maharajah?’
‘I can’t say I do.’
‘Neider does he. Ze Maharajah refuse zat picture; he is a good fellow,
too. He says it is a portrait of ze pig.’
‘But it is so good,’ I protested, ‘of the pig.’
‘But that does not interest the Maharajah, you onderstand, no. You see
this one? Nawab of Kandore on his State elephant.’
No doubt about it,’ I said. ‘I know the Nawab well, the young scoundrel.
How dignified he looks!’
There was a note of real sorrow in Kauffer’s voice. ‘Dignified? Oh, yes;
dignified, but, you observe, also black. The Nawab will not be painted
black. At once it is on my hands.’
‘But he is black,’ I remonstrated. ‘He’s the darkest native I’ve ever
seen among the nobility.’
‘No matter for that. He will not be black. When I photograph that
Nawab--any nawab--I do not him black make. But ziss ass of Armour--ach!’
It was a fascinating subject, and I could have pursued it all along the
line of poor Armour’s rejected canvases, but the need to get away from
Kauffer with his equal claim upon my sympathy was too great. To have
cracked my solemn mask by a single smile would have been to break down
irrepressibly, and never since I set foot in India had I felt a parallel
desire to laugh and to weep. There was a pang in it which I recognize
as impossible to convey, arising from the point of contact, almost
unimaginable yet so clear before me, of the uncompromising ideals of
the atelier and the naive demands of the Oriental, with an unhappy
photographer caught between and wriggling. The situation was really
monstrous, the fatuous rejection of all that fine scheming and exquisite
manipulation, and it did not grow less so as Mr. Kauffer continued to
unfold it. Armour had not, apparently, proceeded to the scene of his
labours without instructions. In the pig-sticking delineation he had
been specially told that the Maharajah and the pig were to be in the
middle, with the rest nowhere and nothing between. Other injunctions
were as clear, and as clearly disregarded. Armour, like the Maharajahs,
had simply ‘REfuse’ to abandon his premeditated conceptions of how the
thing should be done. And here was the result, for the laughter of the
gods and anybody else that might see. I asked Kauffer unguardedly if no
sort of pressure could be brought to bear upon these chaps to make them
pay up. His face beaming with hope and intelligence, he suggested that
I should approach the Foreign Office in his behalf; but this I could not
quite see my way to. The coercion of native rulers, I explained, was a
difficult and a dangerous art, and to insist, for example, that one
of them should recognize his own complexion might be to run up a
disproportionate little bill of our own. I did, however, compound
something with Kauffer; I hope it wasn’t a felony. ‘Look here,’ I said
Public-domain text, read in full here on John Shaqi.
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