England -- Social life and customs -- 19th century -- Fiction; Horror tales, English
teeth were all gone, so the nose and chin were brought near together; the
gray eyebrows were straight, and almost hung over her deep, cavernous
eyes, and the thick white hair lay in silvery masses over the low, wide,
wrinkled forehead. For a moment, I stood uncertain how to shape my
answer to the solemn questioning of her silence.
“Your name is Bridget Fitzgerald, I believe?”
She bowed her head in assent.
“I have something to say to you. May I come in? I am unwilling to keep
you standing.”
“You cannot tire me,” she said, and at first she seemed inclined to deny
me the shelter of her roof. But the next moment—she had searched the
very soul in me with her eyes during that instant—she led me in, and
dropped the shadowing hood of her gray, draping cloak, which had
previously hid part of the character of her countenance. The cottage was
rude and bare enough. But before the picture of the Virgin, of which I
have made mention, there stood a little cup filled with fresh primroses.
While she paid her reverence to the Madonna, I understood why she had
been out seeking through the clumps of green in the sheltered copse.
Then she turned round, and bade me be seated. The expression of her
face, which all this time I was studying, was not bad, as the stories of
my last night’s landlord had led me to expect; it was a wild, stern,
fierce, indomitable countenance, seamed and scarred by agonies of
solitary weeping; but it was neither cunning nor malignant.
“My name is Bridget Fitzgerald,” said she, by way of opening our
conversation.
“And your husband was Hugh Fitzgerald, of Knock Mahon, near Kildoon, in
Ireland?”
A faint light came into the dark gloom of her eyes.
“He was.”
“May I ask if you had any children by him?”
The light in her eyes grew quick and red. She tried to speak, I could
see; but something rose in her throat, and choked her, and until she
could speak calmly, she would fain not speak at all before a stranger.
In a minute or so she said—“I had a daughter—one Mary Fitzgerald,”—then
her strong nature mastered her strong will, and she cried out, with a
trembling wailing cry: “Oh, man! what of her?—what of her?”
She rose from her seat, and came and clutched at my arm, and looked in my
eyes. There she read, as I suppose, my utter ignorance of what had
become of her child; for she went blindly back to her chair, and sat
rocking herself and softly moaning, as if I were not there; I not daring
to speak to the lone and awful woman. After a little pause, she knelt
down before the picture of Our Lady of the Holy Heart, and spoke to her
by all the fanciful and poetic names of the Litany.
“O Rose of Sharon! O Tower of David! O Star of the Sea! have ye no
comfort for my sore heart? Am I for ever to hope? Grant me at least
despair!”—and so on she went, heedless of my presence. Her prayers grew
wilder and wilder, till they seemed to me to touch on the borders of
madness and blasphemy. Almost involuntarily, I spoke as if to stop her.
Public-domain text, read in full here on John Shaqi.
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