England -- Social life and customs -- 19th century -- Fiction; Horror tales, English
Such a one could give me no help. I rather drew back what I had already
said; and tried to make the parson forget it, by treating him to several
pots of beer, in the village inn, to which we had adjourned for our
conference at his suggestion. I left him as soon as I could, and
returned to Coldholme, shaping my way past deserted Starkey Manor-house,
and coming upon it by the back. At that side were the oblong remains of
the old moat, the waters of which lay placid and motionless under the
crimson rays of the setting sun; with the forest-trees lying straight
along each side, and their deep-green foliage mirrored to blackness in
the burnished surface of the moat below—and the broken sun-dial at the
end nearest the hall—and the heron, standing on one leg at the water’s
edge, lazily looking down for fish—the lonely and desolate house scarce
needed the broken windows, the weeds on the door-sill, the broken shutter
softly flapping to and fro in the twilight breeze, to fill up the picture
of desertion and decay. I lingered about the place until the growing
darkness warned me on. And then I passed along the path, cut by the
orders of the last lady of Starkey Manor-House, that led me to Bridget’s
cottage. I resolved at once to see her; and, in spite of closed doors—it
might be of resolved will—she should see me. So I knocked at her door,
gently, loudly, fiercely. I shook it so vehemently that a length the old
hinges gave way, and with a crash it fell inwards, leaving me suddenly
face to face with Bridget—I, red, heated, agitated with my so long
baffled efforts—she, stiff as any stone, standing right facing me, her
eyes dilated with terror, her ashen lips trembling, but her body
motionless. In her hands she held her crucifix, as if by that holy
symbol she sought to oppose my entrance. At sight of me, her whole frame
relaxed, and she sank back upon a chair. Some mighty tension had given
way. Still her eyes looked fearfully into the gloom of the outer air,
made more opaque by the glimmer of the lamp inside, which she had placed
before the picture of the Virgin.
“Is she there?” asked Bridget, hoarsely.
“No! Who? I am alone. You remember me.”
“Yes,” replied she, still terror stricken. “But she—that creature—has
been looking in upon me through that window all day long. I closed it up
with my shawl; and then I saw her feet below the door, as long as it was
light, and I knew she heard my very breathing—nay, worse, my very
prayers; and I could not pray, for her listening choked the words ere
they rose to my lips. Tell me, who is she?—what means that double girl I
saw this morning? One had a look of my dead Mary; but the other curdled
my blood, and yet it was the same!”
She had taken hold of my arm, as if to secure herself some human
companionship. She shook all over with the slight, never-ceasing tremor
of intense terror. I told her my tale as I have told it you, sparing
none of the details.
Public-domain text, read in full here on John Shaqi.
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