British -- California -- Fiction; British -- China -- Fiction; Man-woman relationships -- Fiction
In this heartless room Edward lived, with a telephone for his only
companion. In this room that day he sat on the small stiff armless
rocking-chair until he had made a resolve and then he spent thirty-five
minutes at the telephone.
Nearly everybody in San Francisco writes poetry. Few San Franciscans
would admit this, but most of them would rather like to have their
productions accidentally discovered.
There was quite a decided rise in the stock of Edward’s party after he
had telephoned his confused instructions to his guests. Edward imagined
all his guests smiling tolerantly at their own folly and his. They
would hunt in the pigeon-holes of their bureaux and bring out secret
typescript. “Such nonsense,” they would say to themselves, reading their
work with avidity and pleasure. Each guest would innocently anticipate in
his heart the awed silence that would fall on the party as the last words
of his poem were read.
Edward thought that he would write a poem for his party that would make
everyone in the room pity him. He would make fun of death. Everyone would
think, “Ah, poor soul, he has so much to bear, he must have infinite
courage.” And they would think, “He has death in his eyes. Perhaps we
have not been fine enough to understand him.” Edward thought that they
would all feel a little inferior because their health was so good. He
would sit beside Emily looking pale and brave. His deafness would give
him an air of mystic withdrawal, not the usual air of stupidity. Nobody
could ever think him stupid again after his poem had been read. It would
be the first hour of his life, the first hour of a new life.
But in the end he could think of no really poignant rhyme to valley, so
he selected an old poem about death which he had written in the Tube in
London.
Most of the guests arrived early with their poems crackling in their
bosoms. Already when Edward reached the rather dirty little French
restaurant between two vacant lots above Chinatown there were two
motor-cars clinging precariously to the steep cobbled street outside.
Melsie Ponting and two friends were shooting craps in the low
mustard-colored basement room. Melsie greeted Edward by throwing her
arms round his instantly wooden form, pinioning him and making him look
ridiculous.
“I brought two boys to your party to jazz it up,” said Melsie. “Lon,
Pike, Edward, meet each other.”
Lon and Pike were already kindly pretending to be drunk in order to
enliven the party. Rhoda Romero was in the room and waved flippantly at
Edward. The person behind her was not Emily, it was only Avery Bird.
“I left a message for Emily. She wasn’t in,” shouted Rhoda. Then Edward
knew that Emily would not come.
Public-domain text, read in full here on John Shaqi.
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