British -- California -- Fiction; British -- China -- Fiction; Man-woman relationships -- Fiction
“Well, say, listen, Banner,” continued Miss Romero, becoming now aware of
the empty cocktail glass as her rival for his attention. “Although, of
course, personally I’m just crazy about Edward Williams, what with one
thing and another it looks like it’s up to me to get busy moving him some
place else. I’ll say the Bay Cities’ll get discouraged with him soon.
Avery and me are through with him. I talked to him about him drinking so
much and it seemed he’d gotten around to thinking himself an interesting
rebellious kinda guy, but I’ll say all his stunts look just maudlin to
me; he most always cries, and he always quits before he can put over the
interesting rebellious thing he wants to say. Say listen Banner——”
Mr. Hope started to attention.
“I’m planning to send Edward Williams to China.”
“China.... Why, why, why?...”
“No, but listen, Banner, do you remember Mr. Leung—Leung Tok Ngo—who
was so encouraging about the future of American art in the Orient? He
said the Chinese just didn’t begin to appreciate the occidental artistic
ideals of today; the man in the street in the Orient, he said, would
gape at you if you talked of Cezanne or Pizarro. Of course he took back
Benstead’s Portrait of a Naked Broker to his home in Shanghai; but that’s
only one, my dear, to a population of four hundred million. Now listen,
Banner, I kinda think I’ll make a genuine United States drummer out of
this Britisher ... a drummer of ideals, if you get me. Edward Williams
is so darn glum—he surely must be an idealist. No real artist that I
know has anything on Edward for real bad manners, and bad manners always
gets the dilettante. I’m going to send Edward to China with two or three
dozen of those studies of mine that didn’t sell at the Rebel’s Show.
Leung is in Shanghai and can help him. I tell you I’m through with him.
The Orient’s gotter take its turn at him now. I’ll give him expenses one
way and commission, and then I quit.... Not that, as I say, I’m not just
crazy about Edward Williams personally.”
She was very direct. She left Banner Hope and approached Edward. He sat
slackly on an arm-chair, arms forward, palms up, as though asking for
something.
“Say, listen, Edward, what’s your opinion of my pictures?”
This much too general opening left no room for the convention of
appreciation that the careful Edward had prepared. After some thought he
therefore answered, “I think they’re very nice.”
Miss Romero shrieked, “Very nice! Oh, Edward, you’re so discouragingly
British.” She proceeded to convey to him the politer aspects of his
banishment to China. The illusion of usefulness and a certain silliness
about the plan attracted Edward, who would have refused an offer of solid
travelling employment with a fixed salary. Even before he heard of the
commission he said, “Right you are, Rhoda. There’s nothing in the world
to stop me going whenever you say.”
Public-domain text, read in full here on John Shaqi.
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