The Popish Plot: A study in the history of the reign of Charles IIPollock, John
History
The Popish Plot: A study in the history of the reign of Charles II
Pollock, John
Popish Plot, 1678
upon the merits of cases when the administration was in power: the
only difference was that formerly they had feared dismissal from the
service of an angry sovereign as the result of an independent opinion,
whereas now they feared impeachment at the hands of the angrier Commons.
Under the Commonwealth and the Protectorate the bench fared no better.
In October 1649 all judges and other officers of the law, down to the
very clerks of the courts, who had shown themselves hostile to the
Parliament and in sympathy with the monarchy, were summarily dismissed,
and their posts filled by men in whom trust could be reposed. Even
this was not sufficient. In affairs of state justice was at a still
greater discount under the Protectorate than under the monarchy.
The cause of right was pleaded in vain when it came into collision
with the power and plans of the Protector. “For not observing his
pleasure” judges were rebuked, suspended, dismissed. Special judicial
commissions were appointed to do his work; obnoxious attorneys and
critical counsel were imprisoned.[494] The jury which acquitted Lilburn
after “the furious hurley-burleys” of his second trial were sharply
examined on their conduct by the Council of State.[495] Moreover the
new appointments to the bench in spite of all care were not entirely
satisfactory to Cromwell’s government. The judges still exhibited a
bent which must have been far from pleasing to the republicans. Sir
Matthew Hale withdrew as far as possible from all political trials and
refused to sit on Penruddock’s trial after the collapse of the rising
at Salisbury.[496] Surely it is this rather than the respectability
of their characters that should explain how it came about that at the
Restoration nine out of the fifteen republican judges then in office
were found acceptable to the new government.
Public-domain text, read in full here on John Shaqi.
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