The porcelain mask : $b A detective storyChichester, John Jay
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The porcelain mask : $b A detective story
Chichester, John Jay
Detective and mystery stories; Families -- Fiction; New York (State) -- Fiction; Spouses -- Fiction
With a startled gasp, Helen's hand jerked away from the fondling caress
of his fingers and, clenched, went to her mouth. Her eyes became wide
with something that was more than either surprise or bewilderment. Her
gaze was fixed upon his face with a fascinated stare, and the smile
that she attempted was only a sickly grimace.
"Why, Kirklan! In--in New York? How silly! You know very well that I
drove the car to Tuxedo."
Kirklan Gilmore's blood was suddenly ice; his eyes were no longer
smiling.
"Great Lord!" he whispered. "It's true. Atchinson was right. Helen,
you've lied to me; you----"
"No!" she cried in a desperate frenzy of denial. "I swear to you----"
"I see guilt in your face. I know now; I know that you were the woman
Atchinson saw in New York this afternoon. What does it mean, Helen?
These lies, this deceit--what does it mean?"
Helen laughed hysterically.
"Don't--don't be so tragic--over nothing. I wasn't in New York; you
just startled me, that's all. Please don't be so silly. Atchinson was
mistaken; some one who looked like me, perhaps."
But, as much as he wanted to believe her, Kirklan Gilmore could not
convince himself; her face had betrayed her. The blood was pounding
in his brain, and he felt that the mystery of it, the doubts, the
suspicions would certainly drive him mad.
CHAPTER V
VICTOR SARBELLA
The next morning, after a sleepless night, found Gilmore haggard and
hollow-eyed. There were moments when his wife's persistent denials
almost convinced him that it was all a horrible mistake; for a
beautiful woman in tears can be most plausible at dissimulation; and
then, when trying hardest to believe her, there would come before him,
with photographic clearness, the memory of her startled face, the
sudden guilty terror in her eyes, and credulity would crumble.
He was up hours before the rest of the household, although the cook was
stirring and brewed him a cup of coffee, which he gulped mechanically
and then fled to the solitude of his studio, thinking that he might
relieve the tension by forgetting himself in his work.
That, of course was ridiculous; there was no possibility of mental
detachment with his brain in such a riotous tumult. Sheet after sheet
of paper he drew before him to receive his thoughts, but, instead
of smooth sentences flowing from his pen, he found himself tracing
meaningless lines. He gave up any attempt at creation and tried
correcting, ironing out rough spots in the manuscript, where he had
left off three weeks previous, but in his present frame of mind all
spots were rough, just jumbled words. He tossed down his pen with a
violent force that crumpled the gold point and sent a spray of ink
spattering across the desk top. Then he leaped to his feet and began to
pace the floor like a caged beast.
Public-domain text, read in full here on John Shaqi.
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