The Ports, Harbours, Watering-places and Picturesque Scenery of Great Britain Vol. 2Finden, W. (William)
History
The Ports, Harbours, Watering-places and Picturesque Scenery of Great Britain Vol. 2
Finden, W. (William)
Coasts -- Great Britain -- Pictorial works; Great Britain -- Pictorial works
For upwards of two hundred years the situation of Mount Edgecumbe,
whether looking towards it or from it, and the beauty of the grounds in
its vicinity have been the subject of general admiration. In visiting
Mount Edgecumbe from Plymouth or Devonport, the most usual way is to
cross at the ferry from Cremhill point. The gardens generally first
claim the visitor's attention. Near the lodge, on the left, is a garden
laid out in the Italian style, and surrounded by a bank planted with
evergreens. In this garden is the orangery, and opposite to it is a
beautiful terrace, on which, and in the grounds below, are several
statues. The visitor is next shown the French flower-garden, which is
planted with the most beautiful shrubs and flowers, and was the
favourite retreat of Sophia, Countess of Mount Edgecumbe, who died in
1806, and to whose memory a cenotaph, consisting of an urn and a tablet,
is erected within its bounds. The English garden and shrubbery display
less art, but are no less beautiful than the imitative gardens of Italy
and France. In it is a bath of the Doric order, and a secluded walk
leads to a rocky excavation, overspread with ivy and other creeping
plants, amidst lofty evergreens: fragments of antiques are scattered
amidst heaps of stones in this romantic dell. In the pleasure-grounds, a
path continued along the edge of a cliff, which affords interesting
views of the picturesque sinuosities of the coast, leads to a verdant
lawn, from which the sides rise with a gentle ascent in a semicircle.
The acclivity above the lawn is thickly shaded by a succession of trees,
which form a magnificent amphitheatre, and display an endless variety of
foliage. From different parts of the amphitheatre, Barn Poole presents
the appearance of an extensive lake, without any visible communication
with the sea, from which it appears to be separated by the diversified
line of coast, that forms its boundary on every side. At the entrance of
a wood near this spot is an Ionic circular temple dedicated to Milton,
whence the path continues on the margin of the cliff, through
plantations and shrubs, which fringe the rocky coast down to the brink
of the sea. In the more open part of the park is a mock ruin, intended
as a picturesque object from the grounds and from the opposite shore. A
cottage near the cliff is overhung with beautiful evergreen oaks, the
windows of which command pleasing sea views in opposite directions.
After ascending a perpendicular rock, by a winding path of perilous
appearance, the great terrace at the arch presents itself, having the
appearance of a perforation in the cliff, the base of which is washed by
the waves of the Sound.
Public-domain text, read in full here on John Shaqi.
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