The Ports, Harbours, Watering-places and Picturesque Scenery of Great Britain Vol. 2Finden, W. (William)
History
The Ports, Harbours, Watering-places and Picturesque Scenery of Great Britain Vol. 2
Finden, W. (William)
Coasts -- Great Britain -- Pictorial works; Great Britain -- Pictorial works
The walks round the grounds are extremely pleasing, and from many points
excellent views are obtained of Plymouth Sound, the Hamoaze, Devonport,
and the surrounding country. It seems, however, doubtful if the
circumstance of a nobleman's seat commanding a view of a large town, at
the distance of less than a mile, be an advantage to it. It is perhaps
not altogether pleasant to have a _country_ seat overlooked by, and
overlooking, a large town. Dr. Johnson, alluding to the view of Mount
Edgecumbe, has observed, that "though there is the grandeur of a fleet,
there is also the impression of there being a dock-yard, the
circumstances of which are not agreeable."
The house at Mount Edgecumbe was erected about the year 1550, by Sir
Richard Edgecumbe, who was sheriff of Devonshire in the thirty-fifth
year of the reign of Henry VIII., in the castellated style, with
circular towers at the corners. About seventy years ago, those towers
were pulled down, and rebuilt in their present octangular form. In the
principal rooms is a collection of family portraits, including a few by
Sir Joshua Reynolds.
[Illustration: BRIXHAM.]
BRIXHAM.
"Here busy boats are seen: some overhaul
Their loaded nets; some shoot the lightened trawl;
And, while their drags the slimy bottom sweep,
Stealthily o'er the face o' the waters creep;
While some make sail, and singly or together
Furrow the sea with merry wind and weather."
W. STEWART ROSE.
In the Engraving of Brixham Quay, from a painting by Edward Duncan, the
view is taken from the eastward. To the right, from the end of the pier,
several of the larger class of fishing vessels belonging to the place
are perceived lying aground; while, further in the harbour, a merchant
brig is seen discharging her cargo. In the foreground, to the left, the
attention of a group appears to be engaged by a small ship which a young
fisherman holds in his hands.
Public-domain text, read in full here on John Shaqi.
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