It was true that she would never have let Dasha suffer; on the contrary, she considered now that she was acting as her benefactress. The most generous and legitimate indignation was glowing in her soul, when, as she put on her shawl, she caught fixed upon her the embarrassed and mistrustful eyes of her protégée. She had genuinely loved the girl from her childhood upwards. Praskovya Ivanovna had with justice called Darya Pavlovna her favourite. Long ago Varvara Petrovna had made up her mind once for all that "Darya's disposition was not like her brother's" (not, that is, like Ivan Shatov's), that she was quiet and gentle, and capable of great self-sacrifice; that she was distinguished by a power of devotion, unusual modesty, rare reasonableness, and, above all, by gratitude. Till that time Dasha had, to all appearances, completely justified her expectations. "In that life there will be no mistakes," said Varvara Petrovna when the girl was only twelve years old, and as it was characteristic of her to attach herself doggedly and passionately to any dream that fascinated her, any new design, any idea that struck her as noble, she made up her mind at once to educate Dasha as though she were her own daughter. She at once set aside a sum of money for her, and sent for a governess, Miss Criggs, who lived with them until the girl was sixteen, but she was for some reason suddenly dismissed. Teachers came for her from the High School, among them a real Frenchman, who taught Dasha French. He, too, was suddenly dismissed, almost turned out of the house. A poor lady, a widow of good family, taught her to play the piano. Yet her chief tutor was Stepan Trofimovitch.