_Bookbinding and Book-Lettering._--Literature is a mean thing enough in the ordinary way of pursuing it as what the Germans call a _Brodstudium_; but in its higher relations it is so noble that it is able to ennoble other things, supposing them in any degree ministerial to itself. The paper-maker, ergo the rag-maker, ergo the linen cloth-maker, is the true and original creator of the modern press, as the Archbishop of Dublin long ago demonstrated. For the art of printing had never halted for want of the typographic secret; _that_ was always known, known and practised hundreds of years before the Christian era. It halted for want of a material cheap enough and plentiful enough to make types other than a most costly substitute for hand-copying. Do you hear _that_, gentlemen blockheads, that seldom hear anything but yourselves? Next after the paper-maker, who furnished the _sine qua non_, takes rank, not the engraver or illustrator (our modern novelist cannot swim without this caricaturing villain as one of his bladders; all higher forms of literature laugh at him), but the binder; for he, by raising books into ornamental furniture, has given even to non-intellectual people by myriads a motive for encouraging literature and an interest in its extension. Any specimen of Mr. Ferrar's binding I never saw, but by those who _have_, it is said to have been magnificent. He and his family were once, if not twice, visited by Charles I., and they presented to that prince a most sumptuous Bible of their own binding; which Bible, a lady once told me, was in that collection gradually formed by George III. at Buckingham House, and finally presented to the nation by his son. I should fear it must be in ruins as a specimen of the Little Gidding workmanship. The man who goes to bed in his coffin dressed in a jewelled robe and a diamond-hilted sword, is very liable to a visit from the resurrection-man, who usually disarms and undresses him. The Bible that has its binding inlaid with gold, sowed with Oriental pearl, and made horrent with rubies, suggests to many a most unscriptural mode of searching into its treasures, and too like the Miltonic Mammon's mode of perusing the gorgeous floors of heaven. Besides that, if the Bible escaped the Parliamentary War, the true _art_ of the Ferrar family would be better displayed in a case of less cost and luxury. Certainly, in no one art was the stupidity of Europe more atrociously recorded than in this particular art practised by the Ferrars. Boundless was the field for improvement. And in particular, I had myself drawn from this art, as practised of old, one striking memorial of that remarkable genius for stupidity, which in all ages alike seems to haunt man as by an inspiration, unless he is roused out of it by panic. It is this. Look at the lettering--that is, the labels lettered with the titles of books--in all libraries that are not of recent date. No man would believe that the